Posts published during February, 2010

In my continuing Sunday series of fantastic songs that everyone knows but im posting anyway and not talking much about, i bring you this number from The Postal Service. During my infatuation with this album a few years back, this song never really stood out for some reason, but now I’m convinced it’s one of their best. Is it too much for me to say “Give Up” is one of my favorite albums ever? Will the group ever put out a second album? The world may never know. Unless they do release an album, then I guess we would know.

The Postal Service – Clark Gable

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I completely forgot about this song until I heard it about a week ago in between sets at a show, and it pretty much got the whole crowd moving. I feel like if I’m ever a famous musician, I will always make sure to play high energy music right before my set. What’s sort of weird is that A)today’s song is over 25 years old, and B)Prince is 51 years old! I mean, I guess you’d have to be if you had a hit song over 25 years ago, but it’s just strange. For some reason I didn’t think his name was actually Prince, but if it’s on Wikipedia, then it must be true.

“I Would Die 4 U”, off the legendary “Purple Rain” album released in 1984, is one of my favorite Prince tracks, probably because it’s classic high-energy 80s electro goodness. I’m not even going to attempt to analyze this one. I think no explanation is needed if you are a fan of the Purple One (<-- a great/weird nickname).

Prince – I Would Die 4 U

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Though Brooklyn’s Bear in Heaven has been around since 2003, it was just last year that they made their biggest splash with their album “Beast Rest Forth Mouth”. Since I’m usually way behind the game, I just finally picked up this album a few weeks back and have given it a few listens and am really liking what I’m hearing. I’ve been struggling with how to describe the sound of the album, but I think I’m comfortable in saying that it reminds me a little bit of the subtle electronic future and/or outer space, but not in an over the top way.

I think the song that best exemplifies this is “Casual Goodbye”, the closing track of the 10-song album. The track starts out with some shooting stars that always makes me think of Yeasayer’s “Wait for the Summer” and continues with a sort of constant ambient undercurrent running through the rest of the track underneath Jon Philpot’s soothing vocals. The interesting chord changes throughout add to the quasi-futuristic flavor that this song gives me. There’s something really great about moving up a half step in a chord change, which happens about a million times in this one. If you’re a fan of this website, you will probably be a fan of this album.

Bear in Heaven – Casual Goodbye

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Tune-yards (which I guess is technically written as tUnE-yArDs) is the solo project of New England’s Merrill Garbus. She recorded the whole album with a voice recorder and mixed it using some sort of downloadable shareware. Oh yeah, and she played every instrument on the album. The recording process definitely gives her tunes a raw sound, sometimes a little too raw, but it still works for me.

This song imparticular is considered to be the album standout and I think it’s because it highlights the versatility and power of Garbus’ voice. In the beginning, she starts out timid and falsetto. But as the song progresses, you notice that each time the chorus of “I could be the sunlight in your eyes, couldn’t I? Couldn’t I?” is repeated, its a little louder and more powerful than the time before. If you can get past the production quality (which I definitely can), this is a great little Thursday ditty.

tUnE-yArDs – Sunlight

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California native Joanna Newsom may quite possibly be the most polarizing musician in the world of indie rock. People either want to bear her children or they think she’s the worst thing since non-sliced bread. I have to admit that I have typically fallen into the latter of those two groups. I hadn’t really heard a ton of her stuff, but I just couldn’t get into the couple of songs I heard from her Ys album a few years ago. Her new TRIPLE(!!) LP (yes, triple!) “Have One on Me” was released to the masses yesterday, and if the other songs are anything like this one, I may have to reevaluate my opinions.

I think the first Newsom track I ever heard was “Monkey and Bear”, and I just couldn’t get into what I thought sounded like a children’s book in music form. I do not deny her talent as a musician, but she’s just not my cup of tea. But today’s song “Good Intentions Paving Company” was like a breath of fresh air when compared to my past memories of Newsom. This song sounds so much more mature, and more importantly, a lot more soulful. Even Newsom’s unique voice, which the haters hate on, just seems to work spot on this time. I’m not ready to say that I’m a Joanna Newsom fluffer, but if she’s got other stuff out there like this that I don’t know about, I’m more than willing to give her another shot.

Joanna Newsom – Good Intentions Paving Company

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There are a few notable things about this Friday tune, which I unabashedly stole from our good friend The Music Ninja. The first is that it’s probably the longest song title ever to be featured on the site. Second, and more importantly, as far as my memory serves me, this may be the first foreign language song we’ve ever featured, unless there’s something I’m forgetting. Which attests to how much I like it’s sound since I really have no idea what it’s about, despite many years of French in school.

Coeur de Pirate is the stage name of cute as heck Canadian Beatrice Martin, qui a seulement vingt ans. This song was pretty popular last year, and won a radio station award for “Best Reason to Learn French”. The original version of the song is, for the most part, simply piano and vocals, so it really got a huge rework by Montreal’s Le Matos. From what scant French knowledge I’ve retained, the repeated line in the chorus seems to say, “And he loves me again, but I love you a little more.” Which is good news for whoever “you” is.

Coeur de Pirate – Comme des Enfants (Le Matos Andy Carmichael Remix)

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I’d heard that Broken Social Scene was coming out with a new album this year, but I was surprised when I saw last Friday that they had already released the first single to the masses. I first saw them live back in the fall of either 2007 or 2008, I can’t remember. But what I do remember was a pretty epic performance, clocking in at about 3 hours, and which included 10+ members on stage at any given moment. They even invited the whole audience on stage at one point to dance and sing along, despite the reluctance by the security.

The new album, titled “Forgiveness Rock Record”, is officially released on May 4, but you can get this track from the album, “World Sick”, as a free download from their website above. After staying out of the spotlight for a few years, it makes perfect sense that BSS would re-enter our collective musical consciousness with a nearly seven minute jam full of the big and bright sounds that we loved so much. I don’t know about you, but I think this song really screams, “We’re back!” And I can say that we are all pretty glad to see you return.

The big question now is which of the many former members will appear on the album, and perhaps more importantly, which will be a part of the collective’s larger than life live show?

Broken Social Scene – World Sick

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After many weeks of waiting, this past Friday night, I finally got to catch St. Vincent, the stage name of the lovely Annie Clark, live at The Crofoot in Pontiac (which seems to be the venue of every show I go to these days). There was a little stress in my decision because Kings of Convenience were also supposed to play the same night at the Crofoot, but due to some illness they postponed most of their tour, so the positive is that now I get to see them both. St. Vincent was originally scheduled to play the tiny Pike Room, then moved next door to the Eagle Theater, and eventually to the larger Crofoot, which was much needed as the place was pretty packed.

The opening act was the Swedish husband and wife duo of Mariam Wallentin and Andreas Werlin, better known as Wildbirds & Peacedrums. As soon as we noticed the steel drum on stage, we had a feeling we were in for something pretty unique. The group had a sound that was sometimes tropical, sometimes tribal, but with Mariam’s powerful vocals and Andreas’ powerful drumming, the group definitely captured the audience. The most memorable of their songs was the last one they played. But of course I have no idea what it’s called. I apologize for no pictures of the opening act. It was combination of my getting there a little late and not having the energy to try to get up close.

One of the more interesting parts of the night was the fantastic tunes being played before St. Vincent took the stage. A few songs I can remember are “I Would Die 4 U” and “Sexy M.F.” by Prince, and the final song, “Today was a Good Day” by Ice Cube. We’ll come back to this one a little bit later.

St. Vincent took the stage at what I think may have been around 10PM. She looked cute as ever in an all black outfit that was in stark contrast to her porcelain skin, which the lighting operator took full advantage of. I didn’t get the full setlist down, but the show started out with a few songs from “Actor”, “The Strangers”, “Save Me from What I Want” and “Laughing with a Mouth of Blood” before going into “Jesus Saves, I spend” (I may or may not have gotten that order exactly right). I always imagined St. Vincent to be mellow and a bit shy, so I was pleasantly surprised by the high energy performance she gave us last night. I also think there is a rule that to be in her band you must play at least 3 instruments. It was really great that we got to hear all of the woodwinds, brasses, keyboards and guitars that make “Actor” so special.

St. Vincent’s stage presence was vibrant and abundant and she had a few extended banter sessions with the crowd, thanking Sufjan Stevens after realizing herself singing “Saginaw! Saginaw!” on the drive from Chicago the night before. At one point, the band left the stage for a bit and Annie started explaining her reasoning for wanting to come out on stage to “Today Was a Good Day”. She explained, paraphrased of course, “It’s great that he really was having such a great day. I mean, he won at gambling, his car didn’t get stolen, and nobody got shot in south central LA. I think that really is a pretty great day, don’t you think?” Annie — just so you know, I’m single, and can play the clarinet, guitar and piano, so I think I’m a shoe-in if you need a fifth band member. Then she went straight into a stunning solo version of Nico’s “These Days”. This was perhaps my highlight of the show.

Nico – These Days

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After a few more songs with the full band, the show ended with a high-octane version of “My Lips are Red”, complete with a jam session at the end which found Clark on the ground creating noise with just her guitar pedals and her hands. I think it was at this point that I realized that Clark was a little more hardcore than I thought and which made my crush just a little stronger.

The band came back onstage but before they could begin, the crowd heard one of the more amusing drunken fan shoutouts. Typically, drunken fans yell things like “You are the best musician in the history of the universe!” or “You rock harder than anyone ever!” but this drunken fan kept his exaggerations in check, shouting out, “You are the greatest songwriter of the last…5 years!” I don’t know why I thought that was so hilarious, but it was. The show ended with “The Party”, a crowd favorite, and a great way to end the night.

St. Vincent – Marrow

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Word on the street is that Michael Cera was at the show, but I have yet to confirm whether or not he’s in town filming a movie, or if it was just the fact that a lot of the crowd happened to look like Michael Cera. And Annie, I personally would like to apologize for the tall dude who was standing directly in front of you the whole show taking pictures with a flash right in your face. Not cool, dude.

High quality versions of all pics below as well as a few more pics can be found on the dailybeatz Flickr page.

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