
If you had never heard a single album, song or musical note in your entire life, and then asked me to describe to you what it sounds like to listen to Arcade Fire, I would fail epically. For this reason or that, they produce a difficult style of music for me to convert into text, which may not bode well for the health of this review. Thankfully as music fans we can enjoy a band without having to justify what draws us to them. For me Arcade Fire resonates that audible magnetism and not since their debut album Funeral, has their appeal been so prevalent.
In their third studio album The Suburbs, AF sticks to a script they’re fairly familiar with. While each track displays a slight measure of uniqueness, the album progresses from song to song without significant distinction from one to the next. However whether you realize it or not while sorting through this 16 song coming of age soundtrack, Arcade Fire is sharing a story with you, and as the tracks progress so does the inevitable crescendo that peaks at the end with “The Suburbs (Continued)”.
While The Suburbs is certainly not as emotionally infused as Funeral, it is without a doubt less murky than Neon Bible, an album that I’d always viewed to have an agenda impossible to grasp. Come to think of it, Arcade Fire isn’t as
difficult to explain as I’d first thought. Their goal with each effort is to blow the lid off expectation and they do so with grandiose symphonic assaults, hypnotic vocal offerings and purposeful song writing. Personal highlights for me on The Suburbs include the title track, “Ready to Start”, “Rococo” and “Sprawl II (Mountains Beyond Mountains)”. At the end of it all this album’s concept and effort absolutely hold water and if you get the chance to see Arcade Fire play their music in person, you better spend your lunch money on a ticket.
The Suburbs was released August 3, 2010 on Merge Records. It debuted at #1 on Billboards Top 200 selling over 156,000 copies in its first week.
Adam Montufar resides in Chicago and is a music enthusiast with specific interests in indie, urban and electronic genres. You can see more album reviews, comments and information about Adam at his personal site, The Record Crate Café, or follow him on Twitter.
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