Posts tagged with bear in heaven

You know the drill by now on how this works. This week, I picked the word “warm” because it’s that miserable time of year where the temperatures are starting to consistently hold above freezing (at least during the day) but the threat of another winter blast is still looming, ready to strike at any moment. So, I thought I would try to do my part to will Spring to arrive by channeling warm thoughts/sounds.

Let’s start out with a newish tune from Warm Ghost. I remember hearing about Warm Ghost, once a solo project by Paul Duncan that’s now a duo with Oliver Chapoy, via Bear in Heaven on the twitter and the facebook and I figured that Bear in Heaven is so awesome that they probably couldn’t be wrong. I’d already heard/enjoyed “Open The Wormhole In Your Heart” but hadn’t heard this tune from their Uncut Diamond EP until just now. But it’s just as lo-fi and awesome as I’d hoped for. And bonus points for a ridiculously long song title.

Warm Ghost – Let My Angst Unfold In The Water Like A Hound’s Tongue
[via Muzorama]

As I stated last week, the best part about this segment for me is that I usually find a pretty cool really old tune that I’d never heard, and this week was no different. This week’s vintage find was by Dwight Twilley Band and was originally released way back in 1976. Pretty catchy little rock tune here that speaks the truth. “I didn’t want to go because you were so warm.”

Dwight Twilley Band – You Were So Warm
[via Art Decade]

Here’s a tune that reminds me of some sort of royal processional melody if it had been wrung through a series of hallucinogenic filters. Despite that ridiculous/innacurate description, this tune from Blind Man’s Colour, a group from warm and sunny St. Petersberg, Florida, is pretty neat and it does kind of conjure images of happy summer times.

Blind Man’s Colour – Warm Currents Pull
[via Free Indie]

This next one was chosen on pure beauty alone. It’s by Hope Sandoval & the Warm Inventions and it’s real purty. You may remember Hope Sandoval from her captivating vocals in Massive Attack’s “Paradise Circus”, but here’s a great example of her in her real element from the 2009 album Through The Devil Softly.

Hope Sandoval & the Warm Inventions – Wild Roses
[via Bushwick is Beautiful]

And since this week’s tunes were all rather low key (which I am totally fine with), let’s close things out with something that’s sure to take us out on a high note, a Fred Falke remix! Here’s his take on Music Go Music‘s “Warm In The Shadows”. You know I love me some Fred Falke. And in true Fred Falke fashion, this remix is like a million minutes long, but all of them are enjoyable.

Music Go Music – Warm In The Shadows (Fred Falke Remix)
[via Traccaseur]

BONUS! This tune was not found during a hypem hunting session. In fact, I’ve already posted it once before. But it’s so good that I’m posting it again. Enjoy.

Dream Cop – Warm Thrash (Millionyoung Remix)

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Besides catching so many of my favorite bands at the 2010 Pitchfork Fest, I was lucky enough to spend a few minutes talking with a few of them as well. Joe Stickney, drummer from Brooklyn’s psychdelic/futuristic/outerspace-ish rock group Bear in Heaven, took some time to talk with us about the band’s past, present and future.

So have any of you guys been to Pitchfork Fest before?

Nope, this is our first time.

How do you think your set went yesterday?

It was good! It’s strange with the super fast turn over on those stages, you know, you gotta just get up there and line check and start playing, but we had a really good time.

Cool, yeah, I thought it was great. Are you guys sticking around today or are you hitting the road?

Oh, we’re hangin’ out man.

Excellent, who are you planning on checking out today?

Uh, I’m gonna check out Cass McCombs, and I’d like to see Girls, I’m definitely gonna see Pavement, oh, and Local Natives, I’m really excited about that. Yeah, I don’t know, there’s a lot of good bands today.

Yeah, the B stage is great with the trees and the shade, it’s my favorite stage, so I’m glad you guys got to play there.

Yeah, me too

Ok, so, how exactly did Bear in Heaven come to be? Did you guys know each other before?

Well Jon [Philpot] started the project back in, I don’t even remember when it was. He started it in Atlanta in like 98 or something like that and put out a solo record, and decided to put a band together for a different purpose, just to write weird music, and they were all together and he already had all these songs written so they decided to start learning them. They needed a drummer and Adam and I went to college together so he suggested me and I started playing with them.

Excellent. Now, there’s a fourth member too, right? Is he still around and just not touring with you guys?

He’s, uh, not touring with us and I don’t know. It’s uncertain what his future will be musically with the band. But if he doesn’t play with us then he’ll definitely be helping out in a sort of audio/visual capacity.

Got it. Ok, this is maybe the cheesiest question in the world, but I think it’s relevant since you guys have such a unique sound, but just, how did your sound come about? Was it just Jon trying to make something crazy or…

Yeah, well I think a lot of it just comes from Jon’s sort of strange approach to music and weird ideas, and we all sort of get together and just kind of work out tons of ideas in the practice space, and then Jon will sort of go home and build synth patches and stuff like that to match ideas that we’ve come up with and bring those in, and then we’ll sort of structure a song and take it from there.

Excellent. Now, you guys have been touring pretty much non-stop the past few months. Have there been any really crazy places that you’ve been or anything like that?

Well, I don’t know — Christiania, in Copenhagen, have you ever been there?

No I haven’t

It’s cool, it’s like this old army barracks that was taken over by hippies back in the ’60s or something like that, maybe it wasn’t until the ’80s, I don’t really know, but they’ve got like their own separate state within the city of Copenhagen and it’s crazy. Like you’re not allowed to take pictures, they’ve got huge “No Camera” signs all over the place, there’s people selling huge bricks of hash everywhere. And when we drove there, they’ve got it all barricaded because you’re not supposed to drive in there, and the sound guy had to call and get a barricade dropped down. And we were driving in, and our tour manager was driving us kind of fast, and the sound guy was like, “Dude, you really gotta slow down because they’ve got lookouts all over the place. And if you drive in too fast they’ll think you’re the cops and they’ll start throwing rocks and bottles at you.”

So did you actually play a show in Christiania?

Yeah, it’s a really cool club that I can’t remember the name of, but a lot of really good bands have played there. What was it called? Yeah, Loppen.

Ok, and my last question is just kind of what’s next for you guys? Are you working on any new music?

Yeah, we’re trying to write as much as possible in the short times we have between touring. We’ve got one new cover song in the set and another new one that we’re trying to flush out right now. We’re gonna have a little bit of downtime in October and we’re gonna try to write a couple more songs before we finish touring this year.

So there you have it folks. Again, we really want to thank Joe and the rest of Bear in Heaven for chatting it up with us at the fest (and braving the crazy noon storm to come out to the tent to meet with us). We’ve seen them live twice now and think nothing but the best of them. As a reward for reading all of this, check out some pictures from their aforementioned Pitchfork Day 2 performance after the jump.

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Day 3. Ah, day 3. You cruel temptress, with your best lineup ever when you know that I barely have the energy left to make it there in the first place. I knew day 3 would be a great and exhausting day, but I don’t think I really had any idea how right I would be. I think I caught a at least a little of every act save 3 or 4 that day and I have the pictures to prove it. Things I learned on day 3 (plus a whole boatload of pictures from day 3):

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I was extremely excited and sort of not that excited about this show for a long time. Looking forward to it because I hadn’t been to a show at the Blind Pig in probably a year and a half, and because I have been all about Brooklyn’s Bear in Heaven and Vancouver’s Japandroids for quite some time. But I wasn’t looking forward to it because Monday shows are difficult to recover from. And to make things worse, the show was in Ann Arbor, which, thanks to my recent move, was now just about an hour away.

But alas, I trudged along. Since we had another beautiful day, I headed out to Ann Arbor as soon as I could and made a few pit stops along State Street, finally finding a suitable hat for Coachella. I’ve learned the hard way that my thinning hair plus the hot desert sun does not equal happiness. I met Summer at Old Town for a cocktail before we headed over to the Pig around 9:30.

The crowd was a bit more sparse than I expected, but that often works to my favor. I think Bear in Heaven finally took the stage at about 10PM or so. I thought there were four Bears in Heaven, but on this night, there was only to be three. I ended up right in front of singer and bandleader Jon Philpot and his rather fortuitous mustache in all of its glory. I wasn’t sure if the group was going to pull off their psychadelic sound in a live setting, but they definitely surpassed my expectations. There seemed to be some sound issues in the beginning where the vocals didn’t come through very clearly but that was all straightened out about halfway through the set.

The band made their way through most of the tunes from Beast Rest Forth Mouth and the highlights for me were my favorite tunes of course, “Lovesick Teenagers” and the set closing “Casual Goodbye” (which are sort of the same song?), but the unexpected standout was “Deafening Love”. Because, at times, it was deafening. It was during this track that I realized how loud and intense this band could be. I guess it’s a pretty heavy song but for some reason I never really noticed. It was also during this song that I realized what a fantastic drummer the band has got in Joe Stickney. He owned that set in my opinion, especially during this track, with some of the craziest and intense drum fills I’ve seen in a while. Philpot and guitarist Adam Wills shined as well. Overall a great showing, especially when the sound cleared up. Unfortunately I wasn’t in the greatest of spots to capture Stickney at work, his long hair flying around like a true rock ‘n roll drummer, so you’ll have to take my word for it.

The crowd exploded at the conclusion of the set for probably a solid 30-45 seconds, much to the surprise of the band who seemed so shocked at their warm reception that they sort of stood around not knowing how to respond. It was pretty nice to see, and they clearly deserved it. My advice on Bear in Heaven stock? Buy now, because it’s going up.

[photo rant]Now, can someone explain to me why every venue insists on poor lighting for opening acts? These were the only mediocre pics I could salvage from their set because we were almost in darkness. I don’t understand why they can’t just bring the lights up a little bit.[/photo rant]

Bear in Heaven – Lovesick Teenagers

buy it on Bear In Heaven - Beast Rest Forth Mouth - Lovesick Teenagers or amazon

Next up was Japandroids. I was so pumped for this show because I knew it was going to be wild and I knew it was going to be loud, despite the group only having two members, guitarist Brian King and drummer David Prowse. I’d seen the two of them perform on Late Night with Jimmy Fallon a while back and it was then that I decided I was going to this show. I wanted to include the video so that you could see them in action but it seems to no longer be on the web. The other indicator that this was going to be a loud show was the massive amp setup they brought out which you can see in some of the pics below.

Then it began. From the first notes, the duo went bonkers and the crowd ate up every bit of it. It wasn’t until the third song or so that things really got out of hand. The band played crowd favorite “Wet Hair”, before which King mentioned that the band has played in Michigan once before, but never in Ann Arbor, and they didn’t play this song last time, and then all bets were off for the rest of the show. The small crowd that was there turned into an all out mosh pit, and me being the responsible person I am, dropped my lens cap and couldn’t even safely put my camera away. Luckily the lovely young lady next to me planted her feet and offered some protection until I was able to find the cap. Which was in stark response to the gal next to her who was one of the most pit instigators.

I’m not really sure what happened the rest of the show, but I know it was super loud and super fun. This was a real down and dirty rock show. Carles of Hipster Runoff would have undoubtedly had to say how authentic this group is. At one point, during which I forgot that it was actually a Monday night, Prowse commented that this had to be the wildest fucking Monday night crowd he’s ever seen.

The second to last song was the only one that was a bit slower than the rest at which point Prowse mentioned that he hates bringing down the mood when the energy is so high, but that they’ve played almost every other song they have, but he promised that they would close out with a rocker after that, which they surely did. But part of the beauty of this show was that since both bands don’t yet have extensive catalogues, the crowd knew/loved/memorized every song and responded accordingly, which was partly responsible for the crazy/insane/unreal amounts of energy coming from both the bands and the crowds. Then the lights came up, we all struggled to hear our friends speaking at normal volume levels, and were on our way. And I got to witness a pretty huge thunderstorm during my hour commute home but without actually being in the storm itself. All in all one of the better Monday nights I’ve had in a while.

Moral of the story: See this band if you get the chance.

Japandroids – Wet Hair

buy it on Japandroids - Post-Nothing - Wet Hair or amazon

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Though Brooklyn’s Bear in Heaven has been around since 2003, it was just last year that they made their biggest splash with their album “Beast Rest Forth Mouth”. Since I’m usually way behind the game, I just finally picked up this album a few weeks back and have given it a few listens and am really liking what I’m hearing. I’ve been struggling with how to describe the sound of the album, but I think I’m comfortable in saying that it reminds me a little bit of the subtle electronic future and/or outer space, but not in an over the top way.

I think the song that best exemplifies this is “Casual Goodbye”, the closing track of the 10-song album. The track starts out with some shooting stars that always makes me think of Yeasayer’s “Wait for the Summer” and continues with a sort of constant ambient undercurrent running through the rest of the track underneath Jon Philpot’s soothing vocals. The interesting chord changes throughout add to the quasi-futuristic flavor that this song gives me. There’s something really great about moving up a half step in a chord change, which happens about a million times in this one. If you’re a fan of this website, you will probably be a fan of this album.

Bear in Heaven – Casual Goodbye

buy it on Bear In Heaven - Beast Rest Forth Mouth - Casual Goodbye or amazon

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