
Ok, so technically this isn’t my very first listen. I did listen to the stream of the album a while back, but to be fair, I was at work and definitely not paying attention. So for all intensive purposes, this is my first listen. I think my very first exposure to Daniel Snaith’s Caribou was at the 2008 Pitchfork Fest and I really enjoyed the live show but like so many others, I just never got around to checking out the rest of the goods. And that brings us to today, where goods will be checked out, this time in the form of Swim, the new album that was released last month. Let’s give it a go!
1. Odessa: Heard this one a million times. Talked about it here. Still love it. Funky beat and great start to the album. I love near the end when you can hear the chords a bit more clearly, and the song just all comes together.
2. Sun: Sounds a bit dancy, with lots of wah wahs that ebb and flow. The production on this track is really top notch. There really isn’t much going on at all, and it’s extremely repetitive, but you don’t so much notice that because the production continually switches it up so it sounds fresh the whole time, even though you’re really listening to the same thing over and over. I’m hoping the interesting production will be a running theme on this album. At about 3:40, the song really changes for the first time. Ok, this song is the shit. There, I said it.
3. Kaili: Ok, so I actually already talked about this one too, right over here. Again, really great production. Even with desktop speakers, I can hear the music going back and forth between the channels. And I’d imagine with headphones it would provide a swirling effect with the music just circling your head. Really interesting musically in the best way.
4. Found Out: Slower start than the rest with really short vocal delays. Music kicks in, and all is well with the world. Didn’t expect this much head bopping when the song started. A really great and subtle build up to the full song. Could be a real sleeper track (not in a “puts you to sleep” way, in an “under the radar” way).
5. Bowls: Church bells and harps are the first things I hear. At over 6 minutes, I’m curious to see where this one goes. So far it sounds like a pretty conceptual song. At about 2:15, a new melody kicks in that I enjoy. It all came together a bit in the second half of the song, but not as much as I hoped for. I really like whenever the harp sample comes in.
6. Leave House: A quieter tune with a steady beat that keeps it going. 2:45 in and this song just got way better. A lot of these songs kind of leave you wondering, but then all come together very nicely. I like that. Even though the beat stays the same throughout, the elements making up the beat are always changing. And now we have a beautiful bevy of woodwinds (I hear at least a clarinet and a saxomophone). Interesting stuff.
7. Hannibal: Excellent totally atomspheric start. Again I can hear the music swirling from left channel to right and back again. The deep bass notes are suggesting a beat coming in soon. The music keeps going just ever so slightly out of tune which gives it a sort of old-timey feel even though its surrounded be electronic bits and pieces. Again everything comes together (including a brass section). Just in time to switch it into a house beat and the first vocals of the song at 4 and a half minutes. Again, falls juuuust short for me, but great potential in a live setting.
8. Lalibela: Music sounds like it’s being played in reverse. And really happy sounding too. Nondescript vocals add a nice touch as well. A pretty short track, but very refreshing.
9. Jamelia: I’ve looked at the track list but I didn’t realize how many tracks were names (actual or perceived). Starts out with airy vocals over really soft music. And then at 1:45 it gets really interesting. Maybe the clearest non-falsetto vocals on the album? Again over a beat that seems to fall in and just out of tune ever so slightly for a cool effect. That was the sort of buildup I was waiting for the past few songs. You can hear the conviction in his voice. And then the album fades out into oblivion. A perfect ending.
So, my overall thoughts? I love it. I read an interview where Snaith said that he thought it would be interesting to take dance songs and make them liquid sounding, and that’s exactly what he’s done on so many of these tracks. Even the slower and more subdued songs usually had a nice beat carrying you through. A few songs built up, but I think they could have gone just a bit farther. I’m not sure if Snaith produced the album himself, but major kudos to the producer, whoever he may be. This album was all about the subtleties and I think it’s one in which you will notice something different with every single listen. So with that, I think it’s only fair that I give it many more listens, which I am more than happy to do.
Caribou – Sun
buy it on
or amazon
Caribou – Sun (Short Bloom Remix)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.