Posts tagged with edward sharpe and the magnetic zeros

Alexander, aka Alex Ebert aka frontman of the ever lovable Edward Sharpe and the Magnetic Zeros, has released a brand new video for “Let’s Win”, the opening track from his quasi-recently released album Alexander. This video is pretty interesting to me because this has always been one of my favorite tracks on the album, with it’s catchy melodies and it’s total lighthearted feel. Those sentiments are definitely carried through into the video, but as you will see in the opening seconds, it all takes place within the context of a rally in support of Tim DeChristopher in what seems to me to be a pretty fascinating story. It seems that there was a large auction back in the day for a boatload of land to oil and gas companies. DeChristopher entered the auction and placed winning bids in excess of 1.8 million and never paid up (nor had he ever planned to). Because of his actions, all sales were suspended and during that time it was ruled that the entire auction was illegal to begin with. #justice. Fast forward to February 2011 when DeChristopher was taken to trial and where this video was filmed. In true Ebert fashion, even this rally seems like a pretty good time. But still seems like a pretty good theme song for a trial where the defendant did something for the better good of mother nature.

Alexander – Let’s Win

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This seems odd to be posting this as I just posted a stream of “Million Years” this morning from the upcoming self-titled album from Alexander, the solo project of Edward Sharpe and the Magnetic Zeros frontman Alex Ebert, but when someone spills the beans that there’s more to be heard, I just can’t help myself. Especially since I had a pretty good feeling that this would be a pretty feel good album, and the perfect thing to bring some excitement into an otherwise lazy Saturday afternoon.

Alexander goes through a series of ups and downs with the fun, singalong type tracks that Ebert is so great at, and the slower, introspective tracks whose beauty is only revealed after a few listens. At 10 tracks, this album feels to be the perfect length. The tracks move through a series of emotions both musically and lyrically, and as he so often does, Ebert lays it all on the table. When I’d first heard “Truth” a few months back, I really liked it, but it wasn’t until I saw this album which showed the lyrics and read them that I realized what a fantastic song it truly was, with Ebert bearing his demons to all in his eternal quest for ultimate enlightenment (I swear I don’t mean that in a snarky way). Ebert says that the all important second track, in this case “Awake My Body”, really expresses the feelings that led to the creation of the album, as he was feeling exhausted and wanted to reawaken himself, in the sense of invigorating his individual cells to become a physical representation of his spirit, and then throws in a “whatever the hell that means” for good measure. I say that all the time around here, so I can buy into that. But in that way, you really do get the sense that this album is a physical manifestation of Ebert’s soul, with perhaps the slightly out of control vocals in “Remember Your Heart” representing his potential wild streak (just kidding).

As I mentioned in another post, perhaps the most interesting and impressive thing about this album is that Ebert is responsible for every single piece of this album. As a former clarinet player (I’m sure it’s extremely easy to believe that I was in the marching band in high school), I really appreciate that Ebert plays a clarinet, trumpet and even a violin, which he had never played before but had one lying around, at some point on this album (among many other instruments of course). Ebert takes DIY to a new level, and it’s a true, literal example of a “solo record” made even more great by the depth of sound that the album has from start to finish.

It’s hard not to imagine that this album as a whole will take the same course as The Edward Sharpe ATMZ album and “Truth” did. At first, I will hear them and think, “That was pretty cool.” And then after repeated listens, I’ll start to really, as Carles would say, “get” it. Even “Million Years”, which I heard once or twice on SiriusXMU and have listened to a few times since then, is already getting better and better with each listen. That’s how I feel right now. It’s a pretty cool album. For now at least, though I’m fairly confident that getting to know these songs a little bit better will let out all a whole new level of appreciation/enjoyment. And I feel like while the upbeat tunes like “In The Twilight” are early standouts, some of the more subtle tracks, like the slightly downtempo “Old Friend” and the soulful “Glimpses” are bursting with potential to become album favorites.

An impressive solo effort, in the truest form of the word “solo”.

The album will be released to the masses on March 1 on Community Music (via Vagrant Records).

Alexander – In The Twilight

Alexander – Glimpses

Alexander track listing:
1. Let’s Win!
2. Awake My Body
3. Truth
4. In The Twilight
5. Bad Bad Love
6. Old Friend
7. A Million Years
8. Remember Our Heart
9. Glimpses
10. Let’s Make A Deal To Not Make A Deal

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If you don’t know by now that I’m a sucker for anything Alex Ebert related, whether it be Eddie Sharpe and the Zeros or Ima Robot or now his solo project under the name Alexander, well, now you know, even though you should have before. With the Alexander solo album being released on March 1 and a new Edward Sharpe album allegedly being released this summer, there’s certainly a shitload of inspiring musical awesomeness to look forward to. And perhaps what’s most inspiring about the Alexander album is that Ebert was responsible for every recorded guitar chord, drum beat, clarinet bridge and violin tone on the album, whether or not he at first knew how to play said instruments. We already got a peek at the album with Truth, a track that I love more and more every day (you can pick it up here), and now we’ve been treated to a stream of Million Years, a much brighter and more upbeat track than Truth, but one that is equally as catchy, thanks to Ebert’s influences from musical times gone by. Can this album just find its way to me already?

Thought I’d throw in this image from 2010 Coachella, since 2011 Coachella is just over 2 months away now.

Million Years by AlexanderEbert

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Most of the time my inbox is just kind of annoyingly out of control. But sometimes something pops up and grabs my attention instantly. And today, that was this little ditty from Edward Sharpe and the Magnetic Zeros. They recently recorded an iTunes Session with five of their classic tunes (probably my 5 favorites) and a previously unrecorded track that I recall hearing live, “Fire & Water”. It definitely showcases the slower side of the group, but the slower side is the more soulful side. It’s a pretty huge tune any way you slice it, with Jade taking the lead on vocals. Check out the soundcloud below and click here to purchase the session. The kind folks at Vagrant have also offered up my favorite Eddie Sharpe & Co tune from this session as a free download, so dig them all and buy it if you like it, because these guys deserve it all. If you haven’t seen these guys live, here’s a small flavor, but I PROMISE its 100x better in person.

Edward Sharpe & the Magnetic Zeros – Up From Below (iTunes Session)

Edward Sharpe and The Magnetic Zeros – Fire & Water (iTunes Session) by VagrantRecords

Track listing:
1. Up From Below
2. Janglin’
3. 40 Day Dream
4. Fire & Water
5. Brother
6. Desert Song

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Alexander – Truth

Unless you’ve been living under a rock or you never read this site (both of which are completely possible), it’s likely that you know that I’m obsessed with Edward Sharpe and the Magnetic Zeros frontman Alex Ebert and all of his incredible musical projects. And as I believe I mentioned before, he’s recently released a new solo track called “Truth” under the name Alexander. It’s totally chill and sounds like it could be the closing credits for some sort of western dramedy, but like a really awesome one. I’m not sure if he’s got a whole solo album coming out or what, but I’ve been hearing this track on my favorite XM station, Sirius XMU, for a while now. And the fact that I’ve never seen it on the web until today (first posted by zrdavis), I’m assuming it’s some sort of radio rip, but we’ve been told that the high quality version should be making its way around in the very near future, and we for one cannot wait. And even if it is a low quality radio rip, I still think the masses should get to hear it even if they aren’t subscribed to XM, because it’s pretty great. Here’s to hoping there is a full solo album in the works. Between an Alexander solo album and some new stuff from Ima Robot (who, to be honest, I’d never listened to before until I got their fantastic new track “Ruthless” sent to me a few weeks back), my obsession will continue to be fed. Which is good, because I love eating.

Alexander – Truth

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Seems like Alex Ebert might be one of the busiest guys in the biz these days. Besides his seemingly non-stop touring schedule with Edward Sharpe & the Magnetic Zeroes, he’s prepping to release a new solo album under the appropriate moniker Alexander and, much to my surprise, he’s also finished up a new album with one of his original music projects, Ima Robot. Now, I knew about Ima Robot, but I’d never heard anything of theirs until just a few minutes ago and I must say, I’m very pleasantly surprised by what I heard. For some reason, I remember reading that Ima Robot was some sort of over the top hardcore punk band, which never quite computed in my head. But “Ruthless” sort of changes all of those uninformed opinions I had before. It’s kind of crazy hearing Ebert’s uniquely sharp voice in a nearly 7 minute electronic epic. The new Ima Robot album Another Man’s Treasure will be released on October 19. Don’t forget to check out the insane video for the song as well.

Ima Robot – Ruthless

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I’d say that over the last year or so, my obsession with everything Eddie Sharpe has been a little over the top. And the fact that just a short time ago I finally got to see the group live in my hometown (much more intimate than my first time catching them at Coachella), the obsession has taken on a life of its own. And while I go through phases in obsessing over specific songs, my latest is the beautiful, subdued and understated “Brother”. Cali rapper The Letter P (born Pete Ross) has heavily sampled the track and given it a whole new life in the latest edition of rap/indie crossover tracks. I sometimes get annoyed when these types of combinations take place and feel really forced, but this is not the case. The subtle beat over the soft, finger-plucked guitar riff seems to be the perfect base for the rapper to do what he do.

The Letter P (featuring Edward Sharpe and the Magnetic Zeros) – Brother

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It’s no secret that Edward Sharpe and the Magnetic Zeros performed one of my favorite sets at this year’s Coachella festival. There was just something about their brand of larger than life happy tunes set against the dramatic palm trees and mountains of Indio, California that can still put a smile on my face whenever I think about it. I’d been waiting all summer to catch them at a much smaller venue, but part of me wondered whether it was their performance or the context of their performance that I loved so much.

It didn’t take long for me to answer that question. As I waited for openers We Are Each Other to take the stage, my friend Nadia and I talked about how we’d never heard of them. As it turns out, We Are Each Other was actually really Edward Sharpe and the Magnetic Zeros (from here on out referred to as ESATMZ) opening up for themselves, performing the songs of piano player Aaron Embry. By the second song of the “openers”, I knew that this was going to be a pretty special night. For anyone else seeing these guys on tour, make sure you get there in time for the opening act, because it’s essentially a bonus hour of live music with all of the members of ESATMZ.

After the setbreak, the proper show began and my high expectations were far exceeded. As it turns out, as much as I went crazy over their Coachella performance, seeing this group in a small, enclosed venue blew that out of the water. Their huge wall of sound (featured in just about every song) was magnified tenfold and the band was able to interact with the crowd in a totally organic way, unlike at the fest. By the end of the show, the stage was full of fans, and Alex Ebert had made his way into the crowd. He instructed everyone to sit down for the final song, and he performed the final encore sitting among the crowd (see if you can spot him in the last few pictures below), after which he stayed off stage talking with and hugging the fans.

More pics on our flickr page, and thanks to the tall guy next to me who took a few pictures for me when hands in the air girl in front of me decided to keep her hands in the air for 3 songs in a row.

Edward Sharpe and the Magnetic Zeros – Om Nashi Me (Timmy The Terror Remix)



















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