Posts tagged with fever ray

This post was originally going to be entitled “Ellie Goulding – Heartbeats (The Knife Cover)”, but then I decided I’d find another Ellie Goulding cover that I hadn’t heard, because I know she’s done a lot of covers and her song selection for her covers is usually pretty legit I think. I was tempted for that second song to be her recent cover of Rihanna’s “Only Girl”, but then I decided I just couldn’t do it. So then I found this one and thought it could be the real deal, and I think it is. The original tune is layer upon layer of instruments and harmonies and it’s really, really great. I just recently included it on a mix, in fact. But the best songs are the ones that can be totally stripped down and still hold up just fine.

And then there’s the original reason for the post, her cover of The Knife’s “Heartbeats” (which of course was also memorably covered by Jose Gonzales) on BBC Radio 1′s Live Lounge, which has brought us many memorable covers that we’ve posted before, like my favorite favorite, the Miike Snow cover of La Roux’s “In For The Kill“. So here’s another pretty good one. And just like the First Aid Kit cover of Fever Ray’s “When I Grow Up” (I hope y’all are OK with this gratuitous backlinking), the acoustic version really showcases just how good the song actually is. Also, just about 2 weeks until I see Ellie Goulding at Coachella, so there’s that too.

Ellie Goulding – Roscoe (Midlake Cover)

Ellie Goulding – Heartbeats (The Knife Cover)

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Is it really November already? Based on the fact that my toes have been cold for a few days now, it’s safe to say that it’s here. But October was great for several reasons. Like the fact that we saw some of our favorite shows of the year (can you say Gorillaz, Blonde Redhead and Hot Chip?) and a whole slew of great new tunes. Here are your favorites from last month, and a nice list it is.

1. Hey Champ – Cold Dust Girl (Gemini Club Remix)

2. Kanye West ft. Bon Iver – Lost In The World

3. First Aid Kit – When I Grow Up (Fever Ray Cover)

4. Alexander – Truth

5. Daft Punk – Derezzed (NTEIBINT edit)

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Florence And The Machine

If you haven’t had the chance to check out the video to the original of this song, get to it. I don’t want to blow the element of surprise or anything, so all I will say is that it is freakin’ creepy and I do not scare easily. Unless, however, you are Freddy Krueger. Theeeeeen its a different story. (Yeah, don’t ask). Anyways, I love this song not just because it comes from the enchanting Florence, but because I don’t think anyone has ever artistically expressed the darkness of love and its ability to consume your entire being any better than she does. And to make it even more amazing, it has been remixed by C-Berg aka Christoffer Berg aka producer to one of my all time favorites, Fever Ray. This remix provides just the right amount of dark and ominous to ball and chain my heart for a while. Heavy. And just like Freddy dominates your dreams (ugh, I seriously shiver just writing his name), this remix has dominated my play count for the entire week. Just in time for my favorite holiday of the year. ‘Cause, really, I don’t scare easily. Unless, however, you are wearing a striped sweater and own a glove with sharp blades attached….

- Happy Halloween from Allegra in the Land of LaLa (AKA Los Angeles)

Florence and the Machine – Heavy in Your Arms (C-Berg Remix)

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21 year old Nika Rosa Danilova has been using her incredible voice to catch lots of attention as Zola Jesus. I mean, when you’re 21 years old and find yourself as the supporting act on a European tour with Fever Ray, you must be doing something right. “Poor Animal” is a track from her upcoming Valusia EP and I can’t quite describe it but there’s just something so beautifully haunting about this track (no wonder Fever Ray took her on tour). And anyway, I’m kind of mad at myself for not doing my research because Zola Jesus was just in town a few weeks back, on the same night as Klaxons, doing a show at the CAID, which would have been a phenomenal venue for a show like this. I assumed I would never be able to catch both shows, but it wasn’t until the following day that I discovered not only did her set not start until well after Klaxons finished playing, but Klaxons even went to her show as well. So basically, I missed my chance to catch her at a tiny, intimate venue in the earlier parts of what could be a pretty nice career. Fortunately, recordings exist to get us by at times like this.

Zola Jesus – Poor Animal by souterraintransmissions

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It’s sometimes strange how much I am impressed/amazed/fascinated by everything that is Fever Ray. This probably came to a peak after her transcendant Coachella performance I got to witness from about 4 people away. A performance after which many concertgoers could be heard vocally expressing their amazement with audible “wow”s and “whoa”s, all while walking by a surprise appearance by Beyonce performing with Jay-Z singing “Forever Young”. All of that in succession might have been one of my top musical moments I can think of. Reminiscing aside, we all know (or should know) that Fever Ray is a force to be reckoned with. But sometimes it takes someone else’s interpretation of a song to really get it. Like this cover of “When I Grow Up” by Sweden’s First Aid Kit. The two sisters Johanna and Klara Söderberg are only 17 and 19 but that hasn’t stopped them from making some great music. This track is a b-side to their upcoming single Ghost Town. Check out “Hard Believer” as well. Kind of reminds me of a folkier Jenny Lewis type song (Rabbit Fur Coat era). And we know how much I like me some good harmonies.

First Aid Kit – When I Grow Up (Fever Ray cover)

First Aid Kit – Hard Believer

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Last Saturday night, a night in which there were shows in every which direction, I decided on going to see Imogen Heap thanks to being the lucky recipient of a few tickets. After much fretting over a partner in crime, Shaunna decided to make the drive from Ann Arbor to join me. We got there just as the first opening act Geese was finishing up, so I’m not really sure what they sounded like, but I do know there were violins and drums, so that’s a great start. As soon as they left the stage, Imogen came out to introduce the second opener Ben Christophers who, along with Geese, would end up making up the majority of Heap’s supporting band for her set.

The stage looked a lot like how I remembered it from her Coachella set. Piano and instruments to the left, large tree in the center of the stage. Only this time there were more instruments on the right. A few notable songs were played during the setbreak, namely Fever Ray’s “When I Grow Up” (which brought back fond memories, since just about a month earlier, Heap performed just before Fever Ray to close out my first day of Coachella ever) and Apparat’s “Over and Over Again” (the song that I knew that I knew, but I couldn’t identify until hours later. Isn’t it so satisfying when that happens and you actually later figure out what the song is?

Now let’s talk about her performance. A lot of times you will go to a show and the band will play through all their songs, maybe say something like, “We’re so happy to be here in [insert city name here]” and that’s about it. Well, Imogen Heap is not one of those acts. She lets you know everything that’s going on and everything she’s about to do, and she makes sure the audience is an active participant in the show. First off, she held a poll prior to the tour, and 12 of the songs she plays each night are those that the fans voted on. As she put it, that night’s set list was crafted especially for Detroit by Detroit. During “Just For Now”, she divided the audience into thirds and used us as her backup singers rather than using a voice repeater as she says she did in the past. She told stories, like when she had a male friend over for a lunch date, a man who didn’t eat any meat or dairy products, but ended up eating a biscuit anyway. When she asked why he ate the biscuit, which definitely had butter in it, he said, “It’s just a biscuit” to which she replied, “Then why didn’t you just eat the fucking meat!?” And perhaps most surprisingly, we learned about halfway through the show that she was going to improvise a song every night completely at the whim of the audience. We picked the tempo (I think it was 123 BPM), the time signature (3/4. She apologized that we wanted 6/8 but she didn’t have a 6/8 beat preloaded. The exact honesty and humor that makes her such a presence) and the key (G# minor. She started in G# major and about 30 seconds in realized her mistake, swore and started again, to the amusement of the crowd). And then she announced that the improvised songs would be available to download and all proceeds would go to charity, in our case Urban Farming, a great local cause that I think has been picking up lots of steam lately.

But what’s more than her charisma on stage is her impressive performance, often playing piano, keytar, drums and programming beats and loops all within one song. The last time I saw her she was solo, but even with a full band, her multi-tasking skills did not change. And with her headset microphone, she often stands singing front and center, hands free and nothing getting in the way. The set was pretty stellar too, as you will see in some of the pictures below, with the large illuminated tree as the centerpiece and an impressive floor to ceiling backdrop that was constantly changing. Perhaps my favorite part of her performance was the final song, in which she announced that she doesn’t do encores and just includes them as part of her show. Why don’t more artists do that? It sort of defeats the purpose of an encore if it happens every single night, doesn’t it?

Anyway, I sort of knew what to expect after Coachella, but I was very pleased with her performance, not to mention her ability to multi-task with the best of them. Special thanks to Nick Zalewski for letting us use his pictures (I clearly need a more powerful point and shoot for situations such as this). You can check out his Flickr page here.

Imogen Heap – Hide and Seek (Mt Eden Dubstep Remix)

Imogen Heap – The Song That Never Was (The Zodiac Social Version)

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For the last three days, you’ve all been hearing about the video. I’ve never made a video before, so I was a bit worried about it, but just tried to capture as many moments in time as I could in hopes that they could be spliced together into something not terrible. And now that the video is complete (thanks to iMovie being super easy to use), the time has come to share it with the world! I’m mostly happy because normally I would talk about doing something like this and find myself with 15 seconds of video at the end of the weekend. So I was happy to learn that I can, in fact, sometimes follow through.

WARNING: This was all shot on my old point and shoot camera, so the quality is going to look extremely grim in comparison to any other Coachella videos you’ve likely already watched. But I think it gives mine a more “authentic” feel to it. The everyday man’s Coachella recap video.

The theme of the video, much like the weekend, is night and day. And this seemed to be the perfect song to use for such a theme.



Wasn’t that fun? Did it make you a little nauseous? I hope not, but I can see how it could.

Here are some other final thoughts on the weekend, and then I will stop talking about Coachella, except for constantly and incessantly referencing it.

- This was my first Coachella ever, so I have no frame of reference, though it seemed like a lot of people were bitching about how crowded it was. Compared to other fests I’ve been to, this was by far the least crowded, and not only that, it was extremely easy to get relatively close up for almost any show, minus maybe a headliner or two, without camping out all day. It seemed that for the most part, this crowd didn’t really stick around from one show to the next, so if you were in position as soon as the previous show ended, you could usually get within the first 15 or 20 rows without a problem. Major plus.

- Favorites of the weekend. In no particular order, Fever Ray (queen of darkness), Local Natives (killer afternoon set. Just killer), Miike Snow (they always bring the heat, but it got even more broughten in a packed tent as the sun went down), Aeroplane (of all the fantastic DJs I saw all weekend, their mix of songs was the most right up my alley. And they saved what started out a miserable day). Honorable mention to Edward Sharpe and the Magnetic Zeros. I loved everything about it but I couldn’t get over the vocal issues. That being said, they got huge bonus points for happiness, quirkiness and energy and general fun. But really, I enjoyed most of the acts I saw quite a bit.

- Wish I would’ve seens. Thom Yorke, not sure what I was thinking on this one. Hot Chip, because I don’t know when I’ll get to see these guys again. Deadmau5, despite conflicting with Fever Ray and even though I just saw him recently, mostly because of this video I saw of his SIIIIIIIICK dj table. Shit looks crazy!

- I said it before, but the Sahara tent is off the hinges. The crazy lights and all day dance party are not to be missed. The only downside, the kids and their drugs. I’m not juding anyone based on what drugs they want to take, but I am judging people who are stupid and irresponsible about it. I had at LEAST 5 people directly surrounding me throughout the weekend just collapse and pass out. It was really gross to see. At the Gorillaz show, the guy behind me collapsed right on his face and didn’t wake up for a solid ten minutes. His friends’ response? “He’s done this a few times today, but he always gets right back up.” Like I said, I’m not juding anyone’s recreational drug use, but at least try to be responsible about it, and look out for your friends. It didn’t help that most of these people looked like they were barely old enough to drive a car.

- Cancellations. Shit happens, and it sucks. Nothing anyone could have done about any of it, but still grim to say the least. But overall I was happy with the acts I did get to see. And the people who are like “I maybe saw one good performance this weekend” on the message boards need to stop going to shows, because what’s the point if you never have a good time?

- The overall ambiance of the fest is the best I’ve ever experienced. The Chicago skyline as the backdrop of Lollapalooza is pretty spectacular, but being surrounded on all sides by endless palm trees and mountains is both spectacular and extremely relaxing.

- The layout of the fest is also one of the best I’ve seen. The long and narrow Lolla setup leads to inevitable clusterfucks left and right. And Bonaroo’s circular setup is a better alternative. But it seems like it only takes 10 minutes to walk from one end of Coachella to the other. A major plus when you’re trying to catch consecutive shows at opposite stages. The setup does lead to some issues, however, like when the whole world was trying to see MGMT and the crowd was essentially surrounding the Outdoor Stage (where the band was performing) and extended all the way back through the Gobi and Mojave tents.

- Cameras. What do people think about bringing their nice cameras? I saw millions of them and it seemed like security was allowing them for some reason, so I was debating all weekend if I wished I would have brought mine. I think that I wouldn’t want to have to worry about it getting damaged, a very distinct possibility in those crowds, but I was also pretty underwhelmed with my shots, so I guess it’s a trade-off. I think a small handheld video camera may be in order for my next fest, however.

- Diplo got some major props this weekend. Aside from what I hear was an absolutely bonkers Major Lazer set, both David Guetta and supergroup Club 75 included “Pon de Floor” in their sets. Not too shabby.

- The tents. The tents are good and bad. If you are inside the tent, they are amazing. I love the enclosed feel, the shade they provide, and the great sound. However, when the tents start to overflow and you find yourself on the outside, they kind of blow. But as long as you can arrive a little early to the show you’re seeing, this is usually not an issue.

Misc.
- Throw away your garbage, people.
- Children, stop trying to get to the front 5 seconds before (or after) a show starts with all 45 of your closest friends hand in hand. Spend more time making sure your 45 friends aren’t on course to have a drug-induced death scare before the day is over.
- What’s with all the feathers and face paint?
- There’s going to be traffic whenever tens of thousands of people are in one place. Deal wit’ it. Or drive over the fence like the guy in front of me did, saving me at least a half hour on the way out.

Thanks to Beta Mike for the rad pic above that I stole from him.

Here’s to a great Coachella 2011. I leave with a few remixes by Aeroplane, the act that really kicked things off for me this year.

Robbie Williams – Bodies (Aeroplane Instrumental Remix)

Au Revoir Simone – Another Likely Story (Aeroplane Remix)

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Its 2:42 am and I just arrived back at our lovely vacation rental after my first day of Coachella ever. It was an interesting and exhausting day to say the least. Here’s what’s gone down thus far:

- Good: My uncle gave us directions to take the scenic route through the mountains from San Diego. It was pretty nice, to say the least. Here’s a picture from the airplane on the way to SD, as well as a nice panoramic shot from our drive overlooking all of Palm Springs

- Bad: We finally arrived to the festival gates around 3:30 PM. We knew we already were going to miss Sleigh Bells (sad) but thought we would be inside for Yeasayer for sure. Because they weren’t supposed to go on til something like 4:20. But then there was a huge gathering of people outside the gates, and we weren’t quite sure why. Especially since the line wasn’t moving at all. Word on the street was that they ran out of wristbands at the gate. Don’t ask me how that happens. All I know is that it was about an hour before we finally got inside.

- Ugly: As soon as we finally got inside, we went immediately to the Mojave tent to see Yeasayer, and of course it was bursting from the seams. So we stood outside, and not two minutes later, a girl collapsed and landed RIGHT at my feet. Her friends tried to get her to respond to anything, and after a few minutes the medics came in and carried her out on a stretcher. Not a good omen.

- Unfortunate but unavoidable: Quite a few bands have had to cancel for various reasons. Mew (one of my must sees) had to cancel for health reasons, and quite a few other bands have canceled because they were unable to fly out of Europe due to the Icelandic volcano. I learned just before Fever Ray’s set began that Delphic was one of those bands. Delphic was perhaps the second most anticipated band on my list, mostly because I LOVE exciting, high energy early afternoon sets and I knew they would throw it down. I know there’s nothing anyone could have done about it, but it was still kind of saddening.

But then the day got substantially better and stayed that way.

Met up with my internet friend Julia and her friend Libby. It might go down as the easiest/least complicated meet up ever. I’m rather happy that I recently made the switch to Sprint, because I was able to send/receive messages all day, and the folks with AT&T weren’t so lucky.

Then we went to check out Aeroplane for my first taste of the famous Sahara tent (on the way stopping into the Mojave tent again to catch Peabs and Mrs. Peabs, another far too easy meet up). And boy did it live up to all expectations. Aeroplane was playing maybe some of the best tunes ever, including a few recent dailybeatz favorites. As we approached the tent, I heard the familiar sounds of Tensnake’s “Coma Cat”, which was shortly thereafter followed by Flight Facilities “Crave You”. Other notables were Phoenix “If I Ever Feel Better”, a sick remix of “Girls & Boys” by Blur (perhaps an homage to Blur/Gorillaz frontman Damon Albarn?), and that song from the 90s that goes “La da di la da dai”. You know the one I’m talking about. Maybe today wouldn’t be so bad after all.

Next up we went to check out the areas we hadn’t really seen yet, which included about 10 minutes of The Specials and Passion Pit, before deciding to get some grub and head back to Sahara for Pretty Lights, where I was supposed to meet my friend Sarah. We grabbed a DELICIOUS slice of pizza, and after I couldn’t find Sarah I decided it was time to try to catch up with our housemates for the weekend/friends I haven’t talked to or seen since high school. We had a quick rendezvous in the beer garden, and it was getting close to the time I’d been waiting for all day. Staking out a spot in the Mojave for Fever Ray’s day-ending performance.

We got there a bit early with enough time to catch the end of Imogen Heap’s set. I have to say, I was really impressed by her. She might be the hardest working musician in the biz when she’s performing, wearing a sort of headset microphone and literally running around the stage throughout her songs going from piano to keyboard to keytar to even drums, all the while continuing to sing. Very impressive Ms. Heap, you’ve won me over.

We got pretty darn close after that set ended and sat on the ground for the hour wait that stood in front of us. In the meantime we met some cool kids from all over the place whom I thought at first we were going to get in a fight with. It was a great metaphor for how awful our day began and what it turned out to be. There was Sophia and Buster along with the guy from the UP (that’s “upper peninsula” for you non-Michiganders) and another friend whose names escape me. We talked Michigan and even Michigan football for a while before one of the weirdest/greatest hours of my live music life thus far. It’s this meeting strangers who are really cool that is what music fests are all about.

Finally. My girl Fever Ray lived up to and surpassed all of my expectations on the live stage. I expected it to be an exercise in dark sounds and visuals with occasional rockin beats. But seriously, this chick threw down some next level dark shit on that stage. There were old fashioned lamps all over that would light up with the beat (it was very Disney Haunted Mansion looking) along with the whole band dressed in what I would describe as zombie tribesman outfits. And, oh, the powerful color changing laser beams. They get me every time. The best way I can describe her performance is that it was sort of a totally over the top and avant-garde performance, but perhaps rather than it taking the form of a bird’s nest around one’s face (a la Lady Gaga), the avant-garde manifested itself in a sort of beautiful nightmare, both musically and visually. And I do mean that in the very best way. I walked away just saying “Wow, that was…wow.” And I heard others saying the same all the way to the car.

The only bad part of Fever Ray’s set was the weird kid who showed up in front of me near the end. When the last song began, he was turning to everyone around us screaming, “I WANNA FUCK TO THIS SONG!!” multiple times. Have some class, good sir.

Then, more ugly. After making a wrong turn walking back to our car (leading to probably an additional half mile of walking, at least), we finally got back to our car at 1:30, only to sit in non-moving traffic for a while. Luckily someone had taken down a piece of the fencing so there was an additional exit and we finally got out around 2.

So here’s a summary of my thoughts thus far.

- Things that were good: The whole overall atmosphere. After being used to festivals in big cities, it was so great to look around and see nothing but mountains and palm trees as far as the eye could see. And then at night, wow, that place really transformed. Besides all of the huge art installations being illuminated, the outskirts of the entire Coachella grounds are surrounded by huge spotlights which occasionally all converge overhead, forming a sort of blanket over the festival. It sounds really lame, but it’s really cool to see in person.

Also good were several of the cool people that I’ve met already, and I look forward to meeting some more.

- Things that were bad: The fest running out of wristbands and schedules. It’s really hard to be at these things without your trusty pocket schedule. And the traffic situation at the end of the night needs to be fixed somehow.

- Regrets: Not doing everything in my power to make sure that my camera was still functional for Fever Ray.

Ok, that’s all I’ve got right now. Here are a few pics (very few). Mostly of the festival grounds/atmosphere. I was trying to obtain random pieces of video footage to splice together a nice recap video at the end of the fest (I already have the music/theme/cadence figured out in my head), apparently taking video is a massive drain on this camera’s battery. I’m using my roomates for various reasons, and I didn’t really take the time to figure it out, so maybe I can fix it for tomorrow. In fact, I killed most of the battery during Aeroplane I think. Today I will make sure to save battery power for evening shots, because that’s the real good stuff. But I wanted to give you an inside look at what went down today for those of you who could not attend. Hopefully I can keep up the next two days as well.

Diagnosis: So far I really like Coachella.

Fever Ray – Triangle Walks

buy it on Fever Ray - Fever Ray - Triangle Walks or amazon

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