Posts tagged with fleet foxes

Writing to you live from Eatontown, New Jersey, where we’ve just checked into our hotel for All Tomorrow’s Parties I’ll Be Your Mirror curated by Portishead! How’s that for a long festival title? There will be a nice in depth photo recap of that event coming next week, but until then, let’s discuss the greatness I got to witness last night, that being Fleet Foxes and The Walkmen at the beautiful Hill Auditorium in my very own college town of Ann Arbor, the perfect setting for a show such as this.

I’ve been waiting for this show for months and was excited to see the renovated Hill Auditorium (well, renovated years ago, but haven’t been since then), though I was sad to see that the large walking area right in front of the stage, perfect for picture taking, no longer existed, hence every picture from 2 angles. But anyway, I’d seen The Walkmen once before at the Pike Room, a tiny venue, where they completely went full force the whole time. This show was completely different, but also really great in its own way. They focused on lots of their slower and quieter tunes, even omitting their bigger tunes like “The Rat” and “In The New Year”. But their more subdued sound was the perfect one for the incredible acoustics of Hill Auditorium, and it all came through crystal clear. This show made me remember why I loved The Walkmen and exactly how much I did love them. In fact, I listened to them the entire flight here today.

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Fleet Foxes took the stage shortly after much to the delight of the crowd full of plaid, plaits and parents. I’d only seen the band once before, at the 2008 Pitchfork Fest in the middle of a hot, sticky day, and their sound was incredible even then. The acoustics of Hill Auditorium again worked to the benefit of the band, not that they needed any extra help, because perhaps the most impressive part of their live show is their ability to harmonize in a live setting and sound nearly as solid as the recorded versions of their songs. The stripped down “Montezuma”, with just an acoustic guitar and three sets of vocals, was a highlight for me, as was “Bedouin Dress”, my current favorite track from Helplessness Blues and “Ragged Wood”, the one song from their self-titled album that I hadn’t heard live before. And with the band’s 7 members, many playing multiple instruments, the sound was bigger than big. I think the MVP award goes to the band member whose name I don’t know, but I think I counted 6 different instruments that he played throughout the show, including upright bass, tenor sax, flute and guitar – a bunch of instruments that don’t really have much to do with each other. The worst part of the show was that I had to restrain myself from singing along to every song at the top of my lungs. Instead, I think I just sang quietly along with my hand over my mouth so nobody could see, because that’s cool too.

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So, as with almost every other album ever, it happened. The new Fleet Foxes album Helplessness Blues has officially leaked, much to my merriment. For whatever reason, when my most anticipated albums leak, I always feel a little more guilty about listening to them early. But I do anyway. Today, though, via the fleet foxes twitter account, which I believe is usually run by frontman Robin Pecknold, he told us that he’s happy the album leaked, but he’s just sad that the winner of the vinyl test pressing auction isn’t going to be the first person to hear the full album (totally valid). But, that being said, I feel slightly less guilty about it, because they told me it was OK to listen to it and I’m pretty much going to buy it when it’s released anyway (most likely on delicious vinyl). First impressions after one scant listen: Just as wonderful/melodic/glorious/harmony-filled/folky/wonderful/everything good/these guys are really good/aweome chord progressionfullbeautiful/constantly tempo-changing/bright and shining/best ever as the last album of theirs. I don’t know how they do it, but they are pretty much one of the illest groups around right now in my opinion, which means a lot, because Im KOABD. I never get tired of their tunes as much as I listen to them, and I’m excited to have a whole new set of songs to add to my musical repertoire. And one thing this album is not lacking, which I consider to be a Fleet Foxes specialty, is the mid-song total change up (see “Ragged Wood” and “Helplessness Blues” for examples). Perhaps the best example of this is the nearly 6 minute tune “The Plains/Bitter Dancer”, which definitely draws attention to this fact with its double song name. There’s a great contrast between the slowly building first several minutes of the song (including lots of great guitar work and some nice flute playing) and the lovely high energy outro of the last 2 minutes or so. And the album’s closing track “Grown Ocean” is one of the more upbeat Fleet Foxes tunes and I like that. It’s sometimes nice when albums close on a calm note, but it’s also great when they close with tons of energy like this one. This is going to be some great springtime music, if springtime ever decides to show itself.

In summary, if you liked their self-titled album, there’s a pretty good chance you’re going to like this one too. Some of the warmest music I’ve ever laid my ears on.

And hot off the presses, here’s a video just released for “Grown Ocean”!

Fleet Foxes – The Plains/Bitter Dancer

Fleet Foxes – Grown Ocean

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I know that it’s barely been a week (if even) since I last posted “We Arose” by German Error Message. But they just sent me another track “Reaching Out”, the opening track of his album After the Warmth (which I highly recommend giving a listen to his bandcamp page) and it’s just as fresh yet familiar as the last one. And the reaction from the track last week was pretty huge, so I’m curious to see if others will agree with me that this is a name to keep an eye on. I guess it’s pretty clear that my musical pendulum is swinging towards folk these days (yes, I’m aware of what I just said). Maybe it’s a Spring/changing of the seasons thing, perhaps a way to save all the dance tunes for the warmer summer months. I think it probably started with the quasi-surprising drop of Fleet Foxes’ “Helplessness Blues” that turned me back to the earthier sounds that once took up most of my listening time. EIther way, I’m glad that German Error Message hit me at just the right time so that I could get the full effect.

PS. After listening to this a few times, I decided that the main chord progression reminds me a tiny bit of a folky version of Matthew Dear’s “Slowdance”. Not like they’re exactly the same, but they sort of have the same sentiment. Anyone else hear it? All I’m saying is, if the vocals for “Slowdance” were sung by Matthew Dear over this guitar melody, I think it would work pretty well, for the most part.

German Error Message – Reaching Out

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Sometimes I just think the universe doesn’t want me to go to sleep at a decent hour. Like right now for example, teeth brushed, nasal rinse completed (it makes you get sick less, believe me) and decided to go on the computer one more time to check the weather tomorrow, and BAM right in front of me on twitter is a link to a new solo EP, Three Songs from Robin Pecknold, best known for his work as the frontman (and possible twitter account handler) of Fleet Foxes. And it’s all free and all that good stuff. So naturally, now I must stay awake to listen to it. And it’s a total solo set (except for the first tune “I’m Losing Myself” with features Ed Droste of Grizzly Bear fame). It’s a slow but pretty tune and the two harmonize well. The second track, “Derwentwater Stones” is perhaps the awesomest of them all. It sounds like a real down home folky jam with loud reverbed vocals. The guitar melody is extremely interesting too. And it’s even more impressive when you remember that it’s a solo acoustic set, because it’s just so intricate and full. Great, great jam. And then it closes out with another slower, more reserved tune. But it’s the perfect conclusion after the high energy tune that came before it. Good job, Robin Pecknold!

Robin Pecknold – Derwentwater Stones

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It’s finally happened! After a pretty long wait and following album updates via the Fleet Foxes twitter account, we’ve learned that their new album, slated for release some time later this year, seems to be complete, save for some artwork issues. And we’ve been treated to our first taste of their new album (release date May 3) Helplessness Blues via its title track , which Subpop posted to their soundcloud page this morning. I’ve been enjoying their self-titled album quite a bit as part of my recent forway into the world of vinyl, so this was a really nice treat/surprise. After my first listen, I can say that it’s pretty classic Fleet Foxes. Great folk melodies, tons of awesome harmonies and bright and driving guitar playing. Perhaps my favorite part of this track is a little after halfway through when the electric guitar comes in, and then it REALLY sounds like a flowing, beautiful Fleet Foxes track. Can’t WAIT to hear more from the new album.

UPDATE: Now that I’ve given it a few listens, I feel I should comment on the awesomeness of the lyrics as well, pretty much summing up everyone’s internal struggles on what role they’re supposed to play in the world. This is a great band.

Fleet Foxes – Helplessness Blues

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Time for another edition of “songs I marked to post months ago and never did until today”. Our contestants today are Portland’s very own Ocean Age, a fearsome fivesome that have a pretty neat sound that’s a bit lo-fi, generally pretty upbeat and a little more on the experimental side, but all without being over the top in any one of those areas. In “Dalvik Tide”, what I consider the strongest of the strong tracks on their Forest EP, the song actually sounds like the tides coming in, to the point where you can actually hear the waves crashing in musical instrument form near the end of the song. It’s a pretty dramatic effect that they pull off seemingly effortlessly. And the Fleet Foxes-esque airy vocals/harmonies definitely do not hurt the cause, but do not take that as me comparing the two because they are nothing alike. The subtle atmospheric noises throughout only add to the feeling of walking along the beach with nature providing the soundtrack. While I don’t think you’ll have a problem making it to the end of this song, make sure to stick around for the final 40 seconds or so when we officially reach high tide. And as a bonus, hit up “Swan or Lugosi” as well. I don’t think you’ll be disappointed.

Ocean Age – Dalvik Tide

Ocean Age – Swan or Lugosi

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le loup – grow

This one is super fresh folky goodness. I don’t know how else to describe it. It’s by Le Loup, a many-piece out of Washington DC. Which you may know as “the city that the Real World is on right now”. I’m glad I saw this tune recently because I’ve actually seen Le Loup perform live maybe a year and a half ago opening up for Stereolab, and I wanted to check them out but completely forgot about them. I remember them having some really cool sounds and being really over the top, but you can tell that those kids love what they’re doing, and that’s what it’s all about.

“Grow” is folky and has some definite eastern influences and it’s like a weird and great mashup of so many of the bands that I love. It’s a little bit Fleet Foxes, a little bit Animal Collective, a little big Grizzly Bear, a little bit Yeasayer, and all with some nice eastern influence. It’s so nice when you see an opening act that you may have never heard of, and then you like them, and then you forget about them, and then you remember about them again, and you still like their stuff.

Le Loup – Grow

buy it on Le Loup - Family - Grow or amazon

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lollapalooza

after a phenomenal and relaxing 9 day vacation (which was really two vacations in one), im finally back to civilization and internet, so i figured id get some memories of what actually went down at lollapalooza down on paper before i forgot them all, so for the next three days ill be bringing you an in depth day by day recap of things i did and saw, complete with lots of pictures (all taken by me throughout the weekend, and mostly not very good/clear pictures) and music from the acts i saw each day. so really this is kind of like a super mega bonus week with a few songs each day throughout the recap rather than just the 1.

day 1 of lollapalooza was, in one word, wet. myself, nick, sater, mark and melissa arrived at the ticket window at about 3 o clock, just in time for nick to get one of the last single day passes just before they sold out. it probably began raining at 12 that day and it didnt let up at all until about 7. i was lucky enough to have a rain jacket all day even though i didnt bring one because nick brought one but he likes being in the rain, so i was sort of dry all day. we walked in and went straight to the beer tent, the only way we were going to make it through that day. as we were already freezing, we gladly paid the $2 for the lollapalooza couzy since beer was served in giant cans this year instead of drafts.

our first stop was bon iver where we met up with karen and louis and ran into jill. ive seen him a few times before, all at festivals, and this show was just as great as all the others. the rain went along perfectly with his tunes and it was a nice mellow start to the weekend.

bon iver – brackett, wi

just before his set ended, i broke off from the group and started to make the long trek across the grounds to check out sts9. on my way i got my first glimpse of the awesomely expanded perrys area that was packed with awesome djs all weekend long and where we would be spending much time. it didnt really look like much early in the day in the rain but it really came alive at night. below is also a shot of buckingham fountain, reinforcing the gloom of the day.

first glimpse of perrys
gloomy buckingham fountain - lollapalooza day 1

i crossed the field and waited patiently for sts9 to start, and their show was pretty much exactly what i expected, in a good way. lots of cool lights (which normally would not have shown up well if not for the gloomy day) and lots of great and interesting instrumental tunes. definitely got you moving. i can only imagine seeing them at the house of blues late at night and how much more incredible the experience could have been.

sts9 live in the rain

since i was on my own, i decided it would be a good chance to try to get up close for my next set, so i left sts9 about 20 minutes early and headed over to the vitaminwater stage to catch crystal castles. luckily the stages were adjacent and they were broadcasting the sts9 show on the screens surrounding the vitaminwater stage, so i was still able to see and hear the rest of the show. i ended up in the 2nd or 3rd row of people just at the right of the stage in front of the large lollapalooza banner. i met a guy behind me whos been renovating the house of adam jones from tool, and he was telling me that he saw and met crystal castles the prior week at all points west and couldnt say enough good things about their show.

crystal castles – black panther

then the show began. madness. jumping. shoving. [aside: i never did understand why standing in crowds it was necessary to get 20 people to push the entire crowd over.] but in the middle of all that, the 8-bit electronic tunes i loved and close ups with lead singer alice. shes a very interesting figure, but definitely a great entertainer. she reminds me of someone i know, but i cant put my finger on who it might be. i had tons more pictures, but its tough to take a clear shot when in that constantly moving crowd.

wet hair and alice of crystal castles
crystal castles close up
crystal castles lolla
alice of crystal castles in the crowd
more crystal castles in the crowd

after jumping around for most of the set and spilling most of my giant beer on everyone around me (luckily everyone was soaked anyway so it didnt matter), i decided to head across the park to meet up with my friends again. on the way i ran into natalie, perhaps the only other chaldean there. we oft talk about our similar music tastes but have never seen each other out and about at one of these things so it was great to see her. i made it to the other side of the park just in time to catch fleet foxes performing “mykonos”, one of my favorite songs of theirs, and ran into nick and melissa waiting for the bathrooms. meeting up at festivals is so much easier when you just run into people without trying.

fleet foxes – mykonos

next up was the decemberists. while i appreciated them playing their entire latest album, i was kind of hoping to hear some other tunes as well, but i was prepared for it since nick told me they did the same thing at bonnaroo (although i think they did play some other tracks at bonnaroo after getting through the album). i think the highlight of their set for me was “the wanting comes in waves”. i love the whole track, but i especially love the “queen of hearts” section, played by shara worden, aka my brightest diamond. she has perhaps one of the most powerful and unique voices out there, and i was especially happy when i saw her come on stage to sing her parts of the song, and she sounds just as incredible live.

i caught a bit of andrew bird (who ive also seen a few times already), grabbed some food, and then crossed the park for the final time for the moment i had been waiting for — depeche mode. they started about 20 minutes late and ended about 10 minutes early, shaving 25% off their scheduled 2 hour set, but they did not disappoint. the visuals, while not always very animated, were always usually pretty creepy, which goes just perfectly with their music. quick rundown of the images below: 1-3 are from the opener, “in chains”. the show started with a still shot of an old man and young boy. throughout the song they morphed into eachother. there was also a woman walking up stairs the whole time, changing into business suits, sweats and bikinis. the second or third song of the set featured the black crow and creepy eyeball looking around throughout. the typewriter pic was during “precious”. the astronauts were from “enjoy the silence” and were the three members of the band walking around the screen, each stopping with their faces in a fisheye lens in the middle of the screen. the last two pics were from, i believe, personal jesus, which had flashing screens of the band members and silhouettes of dancers. pretty cool stuff.

depeche mode lollapalooza 1
depeche mode lollapalooza 2
depeche mode lollapalooza 3
depeche mode lollapalooza 4
depeche mode lollapalooza 5
depeche mode lollapalooza 6
depeche mode lollapalooza 7
depeche mode lollapalooza 8
depeche mode lollapalooza 9
depeche mode lollapalooza 10
depeche mode lollapalooza 11

they started out with a lot of what i think were newer songs and to be honest, the set got off to a slow start. louis was even contemplating leaving. but then they definitely kicked it up a notch and had the whole crowd moving. enjoy the silence broke out into a 5 minute electronic dance interlude in the middle of the song, as did a few other songs, leaving the crowd very satisfied at the end. their encore ended with personal jesus, and nobody left for a good 5 minutes as we all waited for them to return to the stage since there was still time left, but they did not return, and that was it for day 1.

the friends i came with had already left since a few of them werent feeling great, undoubtedly due to the 20 ounce beers and incessant rain combo, so i began the long trek back on my own, walking probably a mile before catching a cab, but i did get some quasi good crowd shots on my way back.

the end of lollapalooza day 1

i got back to nicks place, took one of those great post-festival showers, and met up with some college friends for a few drinks down the street. i didnt stay out too late though, because i knew that there would be crazy weather change on saturday for day 2, one that involved intense heat.

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