Posts tagged with metric

After months and months of waiting and anticipating, Coachella is finally here. This will be my second (hopefully annual) trip to the festival and I couldn’t be more excited. Our crew has increased from 2 to 7 this year and we will be staying for a few extra days to relax next to the pool and recover from our post-fest haze (I’m equally excited for those 2 days of sun and nothing else as I am for the festival itself).

Last year, I provided a big list of festival advice taken from my experiences at other fests and I decided it was worth reposting that advice this year, along with a few additions that are specific to Coachella since I feel like I know the ropes a bit more this year. So, without further ado, enjoy my humble guide to making the most of your Coachella experience. And of course, since there is much to read below, this post is littered with a few tunes from some of our favorite artists that we’ll be seeing at the fest this year. (Sidenote: I was totally lazy and did not even change the pictures, but the tips have been modified when needed)

Tame Impala – Expectation

PACKING

So it’s time to pack your bags. But what do you need to bring? Well, aside from the essentials, here are a few items you may not have thought about. I’m not camping for this fest, but a lot of these items are much more essential if you will be camping.

- Mini-flashlight: There is nothing more frustrating than dropping something in the grass at your campsite and trying to find it with your cell phone. You can get a powerful and compact mini-Maglite for about $10 and it’s worth it.

- WRISTBAND: I know this is pretty obvious, but don’t forget to pack your super high tech admission wristband. You don’t want to fly across the country and realize you left in your desk drawer. Not to mention that you won’t even be able to get within a mile of the festival without it. The good news is that mailing out wristbands should prevent the debacle that took place last year which prevented me from catching Yeasayer and getting the fest off to a horrible start.

- Car chargers: Unless you can wait in long lines to use recharging stations on site, make sure you have car chargers for your phones and ipods (for all that campsite rockin out). Plus I just read that even charging your Blackberry for 10 minutes will give you about a 25% charge.

- Small backpack: You will likely want to bring a few things into the fest with you so you don’t have to go back to your campsite once you’re on the festival grounds for the day. Even though you’ll likely pack up all of your weekend clothing in some sort of backpack, you dont want to have that stuff scattered all over, so bring an additional empty pack. It’s just easier that way

- Mini “first aid” kit: It would behoove you to bring a quart sized plastic bag with some essentials that you’ll want throughout the weekend. I usually have Tylenol, Tums (an absolute festival necessity), bandaids, allergy meds, nail clippers (nothing ruins a weekend like a painful hangnail. Or maybe that’s just me?) and other things of that nature.

- DUCT TAPE: Duct tape cures all camping problems. Pack it.

- Collapsible chairs: Believe me, you’ll want a few of these when you’re sitting around the campsite. It’s also convenient if they have cup holders in the armrests, on account of all the burrs you’ll probably be drinking throughout the weekend.

- Dr. Bronners: Try to pick some of this stuff up. It’s a sort of all purpose cleaner. You can use it as soap, shampoo, or even to clean those pots and pans that you made breakfast with on your portable burner. It’s better than carrying a whole bunch of products and works pretty well.

- Bathing suit: While you probably won’t be swimming at the fest, a swimsuit can still come in handy. When I went to Bonnaroo, there were trailers with a bunch of sinks scattered throughout the campsite. So we threw on the bathing suits, took the Dr Bronners (see above) and took “sink showers”. It wasn’t nearly as good as a real shower, but it did feel nice to freshen up a bit without exposing ourselves to the other hippies in attendance. Plus if you’re a chick, you can get away with shorts and a bikini top in the hot sun all day.

- EARPLUGS! It’s usually pretty difficult to get a good night’s sleep camping at a festival, but it’s damn near impossible without earplugs. There are lots of people around, and they usually are not afraid to blast their music at all hours of the day or night. An eye mask isn’t a bad idea either if you can’t sleep when it’s bright out. These things might help you sleep past 8AM, my standard camping wake up time regardless of how late I was up the night before. That is, until you get woken up by your flesh baking in the sauna that is a morning tent in the sun. Plus, sometimes when you’re up close for your favorite band, it’s just too damn loud.

- Shade tent: It’s a bit of a hassle to bring and set up, but believe me, it is WELL worth it to have some shade to sit under in the mornings. If you don’t want to bring one, you can alternately hope that you have some nice neighbors who brought one that you can befriend. But do you really want to take that chance?

- Comfortable footwear: I know this goes without saying, but if you haven’t been, you probably aren’t aware of all of the standing/dancing/walking you’ll be doing. It’s better to be comfortable than fashionable in situations such as this. Sanuks have been my festival footwear of choice the last 2 years. Those puppies have been to hell and back, and the best part is, you can just throw them in the washing machine when you get home and theyre good as new.

- Sunscreen: Sort of obvious, but don’t forget to pack it. I know I did until someone reminded me.

- A hat: Even if your hair isn’t thinning as mine is, it’s still important to bring a hat to a fest in the desert. Believe me, you do NOT want your scalp to burn. It’s a very unsavory situation. And since it’s kind of weird and gross to sunblock through your hair, a hat provides some nice protection. One with a brim will keep you a bit cooler too. I never wore hats before last year’s fest but was able to find one I liked, and it’s made its way into my regular wardrobe even after the fest.

- TOILET PAPER: If you’re going to be using only the porto-johns for 3 days and nights, it is imperative to bring your own toilet paper, just to be safe.



ON THE WAY TO THE FEST

Above is a picture of the crazy amounts of windmills you might see on your drive in through Palm Springs (assuming you’re coming in from southwestern California). I just saw it for the first time last year, and it was pretty neat. Here are a few things to remember on your drive into the fest.

Metric – Help I’m Alive (The Twelves Remix)

- Charge up those electronic devices.

- It’s best to fill up your gas tank shortly before arriving so that you can run your car when needed to charge phones, etc (sorry environment!) without worrying about getting stuck. Plus who knows what traffic will be like? I went to a Phish festival and waited in stop and go traffic for 12 hours after exiting the freeway with no gas stations in sight (which, from what I hear, is one of the shorter waits that people experienced). Having been to the fest, I don’t really think that extreme of a situation is likely to happen, but it’s still good to have a full tank of gas when that’s your only energy source for the weekend.

- For cooler purposes, I’ve found that it’s better to use those plastic blue liquid filled reusable ice things. I think that’s what they’re called at least. Bags of ice will melt all up in that cooler and get all of your food wet. And grilled cheese on soggy bread is unsavory to say the least. If you do have to use ice though, wait until you’re close to the fest (depending on where you’re coming from) to buy and throw in the cooler. A few hours can make a huge difference.

- Enjoy awesome playlists. Roll down the windows. GET EXCITED!

WE’RE HERE!

Remember that backpack I told you about? Here are a few things you can use it for, if you’re anal like I am. But also keep in mind that you’ll be carrying this with you all day. It’s best if you and your friends can all pack into one bag and then take turns carrying it.

Daedelus – La Nocturn

- Mini “first aid” kit: After your third round of carnival food, you’re probably going to need those Tums we talked about earlier. Although, to be fair, the food at these fests is typically much better than you’d expect. There’s always a wide variety of options and you can usually get away wiith something pretty healthy/not too scary for the stomach like corn on the cob, baked potato, plus a variety of veggie/vegan items. While I didn’t see my favorite Lolla/Pitchfork fest food, the ever delicious potstickers, at last year’s fest, I still ate some pretty delicious stuff throughout the weekend.

- Long sleeved shirt/sweatshirt: In the desert, the days are excruciatingly hot (though we got pretty lucky last year with temps in the mid 80s) and the nights get pretty cool. In a matter of an hour, it goes from hotter than hell to refreshingly chilly, but I definitely made use of my sweatshirt every night of last year’s fest.

- Sunglasses case: I’ve destroyed many pairs of sunglasses from putting them directly into my pockets at music fests. Just bring your case in your bag and you can tuck them safely away when the sun goes down.

- Hand sanitizer: Porto-johns. ‘Nuff said. Bring hand sanitizer.

- TP: See above. You do not want to get caught in a compromising situation without some TP in your back pocket (both figuratively and literally).

- Sunscreen: Reapply liberally and often.

I’d recommend a towel or blanket, but the grass is usually perfectly manicured and bone dry, so there’s really no need. I’d also recommend a camelpak, but I don’t recall seeing a place to fill them last year, so it’s better to bring a backpack that fits some more items. [EDIT: apparently there is a place to fill up camelpaks just across from the ferris wheel. I never saw it last year, but I guess I wasn't looking since I didn't bring mine to begin with.]



GENERAL FESTIVAL ADVICE:

Twin Shadow – Slow

We’ve worried all we can (I’m a major worrier by nature) but now that we’re at the fest, there’s nothing to do but have some fun. Here’s some parting words of wisdom on how I like to do things.

- Planning your days: In my experience, I typically plan out my entire day ahead of time, then end up only seeing about half the people I planned on. This happens for a variety of reasons. The first is that I forget to take into account the time spent walking from one stage to the next. This is especially disastrous at Lollapalooza, which is arranged like a giant alleyway with the main stages at either end. Luckily, navigating from stage to stage is MUCH easier and MUCH MUCH quicker at coachella. The fest is organized in an L shape, so even the two furthest stages are just one hypotenuse away. My advice is to have a general outline of who you want to see, but to play the whole day by ear. Some of the best acts I’ve seen were the ones that I decided to go to spur of the moment (a la Gang Gang Dance at Lollapalooza 2009).

- Accept the fact that you won’t see everyone you want to see. There are going to be conflicts. You’re going to miss someone that’s on your list of “acts I am seeing for sure”. If there’s a conflict, just see how you feel beforehand and decide on the spot. Festivals are all about going with whatever you’re in the mood for at that moment, if you ask me, which you didn’t.

- When using the “restrooms”, depending on the setup, it’s best to find the most inconvenient porto-john and use that one. I’ve seen it all to many times when there’s a row of 100 porto-johns that there will be huge lines at one end and 10 at the other end with no line. Believe me, it’s worth it to walk the extra 20 feet. Alternately, if there are long lines at both ends of the area, try the ones in the middle. Besides the shorter wait, they’re also usually a bit less gross.

- There’s typically a lot to see and do at the fests aside from the music. Make sure you at least take in a little piece of the rest of the fest.

- Do NOT be afraid to branch off on your own. I know we all like to stay with our friends and enjoy things together, but if your friends all want to see one show and you want to see another, then go see the show you want to see. Don’t give yourself an opportunity to regret anything. Plus it gives you another opportunity to meet other cool people like yourself if you’re flying solo.

- USE LANDMARKS! Before you leave to branch off on your own, set up a meeting spot and time if you want to meet up with your friends again. Cell phones often don’t work in groups that number in the tens of thousands, so pick a spot ahead of time. And find big landmarks that are easy to spot from far away. Use these landmarks over and over again. At Lollapalooza, we always meet at the eyeball tower. It’s just easier that way. Coachella has plenty of giant landmarks. Just make sure to be specific. Don’t just say “meet me at the giant origami crane”. Pick a specific spot on the crane to meet up.

- Recycle what you can, and throw away what you can’t. Don’t be that guy that leaves his garbage lying around. Because I owe this to the environment after suggesting that you idle your car to charge your cell phone.

- Make sure to eat and stay hydrated, especially in the desert sun, it’s so easy to get caught up in the excitement of the day, and before you know it you realize you haven’t eaten anyhting or had a sip of water all day. As I mentioned before, campelpaks are not as useful here as a Coachella just because there aren’t places to fill them that I saw, but the bottles of water are only $2, so it’s not a total rip-off (and you can buy a bunch at once and throw them in that backpack of yours). Don’t be that person who passes out in the sun because you didn’t drink any water. I emphasize this because last year, there were FOUR PEOPLE that I remember that passed out in the direct circle of people around me. On that note, if you’re going to do drugs or whatever, try not to be stupid about it and take care of yourself and your friends. For example, if I hear someone, just after his friend has passed out and hasn’t woken up in over 30 seconds, say, “He’s done this a few times today but never this long”, I might have to punch that person for being an idiot.

- The setup of the Coachella tents are great for getting up close. If there’s an act you really want to be up close for, show up about 10 minutes before the previous act is finishing and wait at the front of the tent just outside. As soon as that act ends, the tent will clear out and you can usually swim against the fish and make your way up pretty close. This fest was by far the easiest I’ve experienced to get really close without camping out all day, and that was a good thing.

- Go to the Sahara tent often and let loose.

And finally, most importantly, HAVE FUN! We’re all there for the same purpose, to enjoy some killer music in a picturesque setting. Don’t be a dick to other concertgoers. Meet new people. See bands you’ve never heard of. Enjoy the palm trees and mountains. Take care of yourself and your friends (aka drink water) and (selfishly) don’t pass out at my feet. And enjoy the fest! If at least one of these tips made the weekend better for at least one person, then it was all worth it.

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Top Remixes of 2010

I don’t really try to hide the fact that I really like remixes. In fact, I’d say the majority of the stuff we post here are remixes (despite the often lengthy names that become a bear to type out time after time). But it makes sense really, most of them are unofficial and/or sent to us, so they’re typically 100% safe to post, and I like the way that these producers can take an existing song and visualize it as something completely different in their heads. I like all kinds of remixes, but I find myself more often than not being drawn to the more unusual remixes or the ones that completely reimagine the song, and it’s those remixes that make up the majority of my list. Actually after giving this a second listen, almost all of these remixes are super chill. But that’s alright with me, because they all pretty much own. It was not easy to narrow down to 10, and my original list started with about 30, and I got to the point where I had 2 spots left and 8 that I completely loved still, so I guess these ones were the lucky ones that I was feeling a little more at the exact moment, but by all means not a complete list of all my favorites. It’s that whole “it’s an honor just to be nominated” thing. I’ve included links to the original posts as well if you’re interested, but in most cases they only slightly expand upon what I say below anyway.

Disclaimer: I’m not looking back to see when these were actually released. To simplify things a bit, “the year” refers to 2010, the year in which I discovered these remixes regardless of when they were released. If I know off the top of my head something was from a different year I won’t include it, but something might slip in through the cracks.

10. Coeur de Pirate – Comme des Enfants (Le Matos Andy Carmichael Remix) (View original post)

If we’re talking about songs that have a feeling decidedly different than their originals, this one has to be included in the list. The original, full of piano and sounding almost like a lounge singer performance (I mean this in a good way, somehow) was completely transformed into an upbeat electronic synth wonder whose energy cannot be denied, and one that works in perfect harmony with Beatrice Martin’s French vocals.

9. Metric – Twilight Galaxy (Death to the Throne Remix) (View original post)

I know I just posted this a few days ago, but for me, the outer space arpeggios just make this one too in your face to ignore. I’ve heard effects like this before, but they’ve never seemed so huge or so appropriate. And the robotic nature of the whole song (especially the countdown before the first big drop) definitely caught me by surprise the first time and they really make a big impact.

8. Local Natives – Who Knows (Brainbheats Remix) (View original post)

When you release the stems to your song to anyone who wants them just as you’ve reached massive popularity, you’re bound to get lots of remixes, as was the case with Local Natives this year. But of all the ones I listened to, few caught me by surprise like this one from Brainbheats, aka Brian Healey of The Pass. It took a slow song and sped it up with a beat that never slows down over some robotic delayed melodies, and there are a few jazzy little breakdowns throughout that I love.

7. The XX – Crystalised (Dark Sky Remix) (View original post)

Why did this make the cut? I’m not a huge fan of the big wobble wobble dubstep (except for maybe in person), but this much more subdued Burial-esque form of dubstep is right up my alley. And the perfect compliment to the minimal sounds of The XX.

6. PNAU – With You Forever (FM Attack Remix) (View original post)

To this day, I’ve been unable to find the words to describe what this remix sounds like. But I feel like at its core, it’s just got a funky groove thing going on in some weird outer spacey way. It’s slow moving and quick, dark and heavy but still light on its feet. Whatever it was that FM Attack did to this track, it sounded unlike anything I could remember and has stuck with me from the very first moments that I heard it.

5. Florence and the Machine – Heavy in Your Arms (C-Berg Remix) (View original post)

I posted a whole boatload of Florence and the Machine remixes this year and last. Her incredible vocals are so versatile that they work with so many different styles so well. This time, Fever Ray producer C-Berg gives them his own personal blend of darkness and blight, and her vocals become something so much more powerful and emotional than they were originally in response.

4. Gorillaz ft. Daley – Doncamatic (All Played Out) [Joker Remix] (View original post)

For me, the Gorillaz played a pretty decently sized roll for me musically. I got to see them twice in concert, including at Coachella (an overall excellent experience) and I dug their newest album so much, causing me to revisit their older stuff as well. But when this song came out, for some reason I just wasn’t feeling it. Then I heard this remix from Joker and it struck me. Perhaps because of the really unique beat or the simplicity of it. Whatever it was, it gave me a whole new appreciation for this song and I don’t know how I ever didn’t love the original now.

3. Wave Machines – Keep The Lights On (Artwork Remix) (View original post”)

One phrase that I most likely overused this year was “slow burner”. It was a way to describe the tracks like this one that I loved so much. They start out pretty slow, totally unassuming but super funky. And they just slowly creep along (often for 4-5 minutes), building ever so slightly and almost unnoticeably until suddenly the buildup hits you kind of nowhere, falsetto vocals and all. This is a bit of a lengthy song, so if you question whether or not you’ve gotten to the peak, then you haven’t gotten there yet.

2. Massive Attack – Paradise Circus (Gui Boratto Remix) (View original post)

I don’t hide the fact that I’m a HUGE fan of Gui Boratto and the subtlety with which he reworks songs, but this remix is the quintessential examples of what he does so wonderfully. He keeps the original soft and delicate nature of this song but still manages to make a powerful statement. He also has a knack for making an 8 minute track feel like far less and still leaves you wanting more (perhaps the result of so many well-placed false endings). I definitely did a double take when I heard this in a Lincoln commercial recently, and I guess it was the first track Massive Attack licensed, giving all the proceeds to the Gulf cleanup effort.

1. Delphic – Doubt (Build Remix) (View original post)

Last but not least, perhaps the biggest and sunniest of remixes that I can remember. One thing I talk about quite a bit when rating a song (depending on the genre) is how it holds up being blared out the window on a hot and sunny day. And I can’t think of any songs this year, remix or otherwise, that so perfectly encompass all of the feeling of that act of blasting music on a hot summer day. The fact that this came out of a song that’s noticeably darker in its original form (and from my number 2 album of the year no less), it’s even more surprising how well Build pulled off this transformation. The first drop where the lyrics come in over the warmest synth ever is a winner every time. Yes, this is 100% FOR SURE my favorite remix of the year, no question about it.

Stay tuned tomorrow for the final day of our 2010 year end coverage where we’ll be presenting a new mixtape with a song (or remix) from each of our top 20 albums, and a tiny mini tribute to one of our favorite blogs.

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Holy outer space laser beam arpeggios, Batman! James Martin-Nelson, who goes by the name Death to the Throne, has reworked “Twilight”, the closing track from the excellent 2009 Metric album Fantasties, and he’s taken the title of the song rather literally, much to my enjoyment and hopefully yours. You see, in my opinion at least, all throughout this remix, you feel as if you are flying through some futuristic parallel universe in a one man spacecraft, dodging a meteor here and a shooting star there. And all the while having a one person dance party in your chair, because what else can you really do when you’re listening to something like this? Plus, you’re in outer space, so there isn’t really much else to do besides making sure you don’t crash anything, eating dehydrated ice cream, and chair dancing. I don’t know what Death to the Throne puts in his cheerios to get him to take a song like that and it turn it into a song like this, but I want it. I especially enjoy the madness before the drops, and the robotic countdown (countup?) also makes a pretty great impact. Thank you, Mr. Throne, for taking me musically to a twilight galaxy. And unintentional bonus points because as soon as this song stops in my iTunes, Mew starts playing, and that’s never a bad thing.

Metric – Twilight Galaxy (Death to the Throne Remix)

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the twelves live

todays post is a total copout for so many reasons. lets go through them one by one. 1. ive talked about the twelves, and this remix specifically, a few times already. 2. ive already posted the original metric version of the song thats remixed. 3. ive already devoted a post to the twelves. luckily, it was maybe the second post i ever, so pretty much nobody ever saw it and it probably sucked even more than this one, which is really saying a lot. so im taking the liberty to post another remix by the excellent brazilian dj duo the twelves. cuz its friday, and we all need a good dance remix to carry us into the weekend that lies ahead. plus its another opportunity to post a super cool picture.

i think the twelves, unlike a lot of djs, have the great ability to remix a song and make it sound like a completely different song, but still keep the musical quality that makes the song so great. its almost as if they are writing a brand new song, which is more than i can say about a lot of remixes i hear. now that im typing this, im pretty sure this is exactly what i said last time i posted about the twelves. but it dont matter because this metric song is awesome and so is the remix. makes me excited for our possible brazil vacation redux next year. its happening (i hope). happy friday y’all.

help im alive – the twelves remix

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dj tiesto

tiesto featuring tegan and sara? hows that for an awesomely weird combination to kick start this long holiday weekend? well, as it turns out, the upcoming tiesto album, “kaleidoscope”, features tons of combinations such as this with great indie artists including jonsi from sigur ros, kele okereke of bloc party, nelly furtado (not so much indie but just someone we really like) and emily haines of metric/broken social scene fame. it promises to be a pretty cool album and if all goes as planned, ill be going to see tiesto in either toronto or chicago, both on saturdays so it could actually work. of course there are no shows in detroit because no tours ever stop in detroit any more.

ive obviously been on a huge electronic kick lately and ive always liked tegan and sara so this is a pretty great combo for me. there are tons of haters who disregard tegan and sara, but honestly theres no denying that they are just a bunch of great little songwriters. people discredit them for writing pop music, but i dont think those people realize how their songs differ from most of the prefabricated pop that dominates the airwaves these days. the other cool thing about this track is that i think it was written postal service style. that is, tiesto did the music, sent it to tegan and sara, and they wrote/recorded the lyrics and sent them back. thats probably pretty interesting for an dj because im sure when the dj lays down the track they have some idea in their heads about what lyrics could go over it, and im sure what they get back is always completely different than what they were thinking. in this case, it definitely works.

tiesto featuring tegan and sara – i feel it in my bones

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metric

im going to write this post based on how im expecting this day to go. then we can play a fun game and compare my predictions with how i actually feel and see how close i was. ready? go. i feel funny. whats happening to me? i cant see aaaaanything. is this real life? ive barely slept the past 4 nights, ive eaten nothing but garbage, i havent showered in what feels like weeks, and i have to sit in a packed minivan for the next 10 hours. but boy was it worth it! lets just say im very happy that i took tomorrow off work for my recovery day because im definitely going to need it. i may need the rest of today just to take the best shower ever since im maybe the dirtiest ive ever been right now.

while im counting down the minutes until said minivan ride is over and said shower is scheduled to begin, i thought id share with you a track by canadian rock group metric, led by the tantalizing emily haines, whos also a former member of canadian collective broken social scene. when i first started listening to broken social scene, i thought it was strange that there were upwards of 10 members at any given moment in the group but didnt think much of it. then i slowly began to realize how many of the members had other successful projects of their own. but i guess i dont know if these peoples groups were famous because of broken social scene or vice versa.

this song is the opening track of metrics latest album fantasies and is really one of the first songs to be considered for posting in the early infancy of this site (nearly 4 weeks ago. holy cow!). i think the reason i dig it so much is because it has so many distinct themes. theres the theme of the verses, the “beating like a hammer” theme and the chorus theme. and they alternate between major and minor, which makes it even more interesting. i think down the road i will have to post the excessively good twelves remix of this song, which i think ive talked about before, but want to let the album version soak into your brains first so you can fully appreciate the magic.

metric – help im alive

Metric - Fantasies - Help I'm Alive buy this track on itunes
buy this track on amazon

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crystal castles

in the car on a drive this morning, i heard hipster runoffs episode of blog radio on xmu. they were laying down the sickest beats ever, to the likes of the twelves remix of metrics “help im alive” and a pretty nuts remix of vampire weekends “the kids dont stand a chance” which far surpassed my expectations, then a similar sounding remix of cut copy’s “lights and music”. while im usually sort of annoyed with his intentionally droll and nonsensical commentary, today was especially on point. “tell me about yourself. i want to know about you. i want us to be soul mates. like that death cab for cutie song. soulmates body. i want to love you. i believe in a thing called love. the darkness.” this really has nothing to do with anything, but it did keep me in the electronic spirit.

i first heard crystal castles around the same time that i first heard cut copy.  they were both completely different, but in my mind they both had a lot of the same thing going on, namely solid beats and electronic instrumentation.  sure, crystal castles was a lot harsher and sounded more nintento electronic (which happens to suit them well), but i still lumped them into one category.  so i was pretty surprised when i told a few others to give them a listen and they had crazy feedback like “why are they just screaming the whole time” and “my music was playing on random and this came on and freaked me out”.  this is probably my fault for grouping them with cut copy, but i still thought people should give them a shot, so i recommended this track specifically. some would argue it doesnt even sound like crystal castles. in the end, even if you dont like the screams and the 8-bit sounds, the chances of you enjoying this track are still strong to quite strong.

ill be seeing them in a few weeks at bonnaroo and im still deciding if im excited or scared for the experience. if memory suits me i think they may be one of the uber-late night acts, so theres a chance that people will be too worn out by that point to trample me. ive heard very mixed reviews of their live show, seems to be a love it or hate it thing, but i guess theyre a love it or hate it kind of band.

EDIT! 5/28 — thanks to katie for pointing it out, but weve just learned that this is actually a cover (an awesome cover, i might add) of the song “sex city” by van she. which explains the title of the song. interesting tidbit!

crystal castles – vanished

Crystal Castles - Crystal Castles (Bonus Track Version) - Vanished buy this track on itunes

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