Posts tagged with rjd2

Sometimes, I will hear from an exorbitant amount of people from the blogosphere/twittersphere/facebooksphere/interwebsphere that there’s an awesome new act/producer/musician/band/DJ that I need to check out immediately, but I often don’t because I’m too lazy. But most of the time, I end up coming around way late in the game and finding out that sometimes everyone is right (but not always). Today, this happened with Star Slinger (although I did post a remix of his over here a few days ago without even realizing it). He’s Darren Williams, this awesome UK producer that everyone has been abuzz about over, and today I finally gave him some attention (via my ears/internet browsing). Do I use parentheses too much? I don’t think so, and I don’t care what you think (mostly when it comes to my use of parentheses). The good news is that he’s just recently released a 6-song EP entitled Rogue Cho Pa, which of course reminds me of my college roommate, who pronounced “Nag Champa” as “Nag Cham-PA”. I’m not sure why this sticks in my mind, because we were not incense burning hippies (at least I don’t think we were?). But, it’s all free and you can download it here if you want to.

Perhaps what I like best about my brief exposure to Star Slinger is that all of his jams are really smooth and interesting, and the beat doesn’t blow the doors off the joint. It like all the glitch of Baths with all the soul of RJD2. I definitely love great use of samples, and this guy seems to be pretty great at that. There’s a great Motown vibe to “Like I Do” He’s also remixed tons of indie songs, so I’ve included a great one below as well.

Star Slinger – Like I Do

Star Slinger – Rene Storm

Deerhunter – Helicopter (Star Slinger Remix)

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This past Friday night marked the return of RJD2 to the Detroit area in what I think marked his first appearance since his DJ set at last Spring’s Movement Festival. And I think it’s because of that DJ set that I was so pleasantly surprised at his full live show.

We arrived to the sold out show just as the second opening act Break Science was finishing up. It was definitely a cool and unique DJ act, mainly because I don’t think I’ve ever seen a DJ spinning only accompanied by a live drummer exaggerating all the beats. I, as well as the rest of the crowd, was a big fan.

Then it was time for the main event. Even when he was just setting up, as the crowd cheered uncontrollably and he got a huge grin on his face, it was clear that RJ Krohn was genuinly appreciative of the support of his fans and was humble as heck. Pretty refreshing if you ask me.

The show began with RJD2 coming on stage in a sort of robot costume as Commissioner Crotchbuttons. His getup included a welding mask and a beat pad (is that what theyre called?) over his nether regions (hence, crotchbuttons) and teased the crowd a little with his robot voice before dropping into perhaps his most famous work, A Beautiful Mine, which most know as the Mad Men theme song.

Then the costume came off and it was full speed ahead. What was most surprising for me, since I had only seen him perform a DJ set in the past, was that he actually performed with a full band, with guitar, bass, drums and keyboards. I definitely wasn’t expecting that at all but it really added a lot of energy to the show, and it was a nice change up going from full band to just him on stage doing what he does behind the turntables.

While the whole show was pretty high energy, but I was a little concerned that the floor was going to fall through when he really kicked it up a notch for the last few songs with some older tunes that the crowd went nuts for. The crowd was a pretty interesting mix of people which as usual become more tolerable the farther back you moved. We started out right up front, and I had a revelation. I do feel like I’m becoming that crotchety old man cursing those darned kids all the time, but I now know the reason why. Besides there usually being at least 5 girls under age 18 who can barely even stand up, I realized that the kids always show up to these shows in packs of 30, and they spend the entire show pushing everyone around so that they can get all 30 people into a 1×1 foot area. I feel like we didn’t used to do that. But I digress.

After a nice encore that calmed things down a bit, I was waiting out back for my other friends, but Diana came running over telling me that she just met RJ and he was talking to all the fans. This was maybe the best part of the night for me, because it’s oh so rare that a musical act with a sold out show will spend a half hour signing autographs and taking pictures and talking to every single fan that wanted to. It’s nice to see musicians who are so successful but are still completely down to earth and normal people who truly appreciate the fans and take the time to show it. And I think what I like best about his music is how he manages to combine so many different styles into one. It just makes for a more interesting sound that appeals to so many different types of people. Good work, RJ, good work.

This wasn’t my best photographic performance ever, but as always hit up the dailybeats Flickr page to see a few more pics. I promise I’ll do better next time.

Hey look, it’s my friend Diana with RJD2, making her second appearance on the site

Hey look, it’s me and RJD2

And a little of the character of the Majestic complex in Detroit, full of bars, restaurants, music venues, and of course Garden Bowl.

I think this song is a pretty fantastic example of what I was talking about, the combination of different styles of music into one. “Ghostwriter” is from his 2002 album “Deadringer”. Just a hot track.

RJD2 – Ghostwriter

buy it on RJD2 - Deadringer - Ghostwriter or amazon

2 comments

Well kids, our friend Alan Wilkis has done it yet again. Some of his remixes that I’ve enjoyed in the past have kept the main rhythm of the song intact, but just added various elements of awesome throughout to create something that usually sounds much more colorful. But that is not the case this time, as he’s taken a track from DJ extraordinaire RJD2 and completely transformed it.

While Alan didn’t want to get too “technical/music-dorky”, I want nothing more. Taking a song from 6/8 to 4/4 is no small task. And the original song, “The Shining Path” from the album “The Colossus” is basically straight up motown and at points sounds like I’m holding hands with my best gal going up to the corner shop for a couple of sodapops and a strawberry malt, whereas the 4/4 remix version is straight up hip hop. Same melodies, same exact vocals, not retimed at all. And fear not, despite it’s hip-hop vibe, it’s still classic Wilkis, Nintendo and allAlan, this may be may favorite yet from you.

***WARNING: TO FULLY APPRECIATE THE VISION OF MR.WILKIS, PLEASE LISTEN TO THE ORIGINAL FIRST HERE.

RJD2 – The Shining Path (Alan Wilkis Remix)

buy the original track on RJD2 - The Colossus (Bonus Track Version) - The Shining Path (feat. Phonte Coleman) or amazon

2 comments

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i just returned home from day 2 of the movement festival in downtown detroit. it was pretty enjoyable for the most part. we caught a few minutes of dennis ferrer, then caught all of rjd2′s set, and headed back to the main stage to catch loco dice vs. luciano, which was a little too housy for my tastes, although im not quite clear on the exact definitions of house, trance, techno, dance, etc. but what i mean is i like it better when djs mix songs with words rather than just the same beat over and over. anyway, the point is, i wanted todays song to be sorta electronic. im obviously more into indie rock electronic than dance/techno electronic, but i can definitely appreciate both (and in fact may go back tomorrow to see benny benassi, who i know will be mixing it up the way i like it. i need to get one of those beat pad things that all the djs use, mostly because i have no idea how they work and im intrigued by them. and when i become a famous musician, there will definitely be electronic aspects to my game, so i need to learn how that shizz works fast.

the other crazy electronic music making gadget i want is the reactable, aka the coolest thing ever. i first saw this device at the bjork show i went to fall 2007 (was it really that long ago?) and had no idea what it was. after some research, i found out that you cant even buy these things, and that she was pretty much the only person who was able to acquire one for non-exhibition use. its basically an interactive screen that reacts to certain markers that you place on it. depending on what pattern is on the blocks, how far from center they are, how theyre turned, etc, you can control the beat, pitch, volume, etc. and on top of all that, it looks like it comes from the future — always a plus.

anyway, todays jam is a 2 for 1, mainly because the song has two parts. its by apparat and was my instant favorite when i first heard his latest album “walls”. other favorites from the disc include arcadia and headup. part one is the up-tempo mover and shaker, while part two is the calm after the storm, if you will, nicely complimenting the rigor and speed of part one. i think i liked this song (and album) so much the first time i heard it because of my aforementioned secret dream of putting together a bunch of electronic rock on my own. i know how hard of a time i have trying to write music mainly because im not in a band, and all of my influences have big full sounds that i cant get on my own with one guitar, so everything i come up with inherently sounds boring and not awesome. but electronic is the one place where you can do it all on your own and still get as big of a sound as you want. kind of blows my mind how some of my favorite songs were probably made by some guy on his laptop, and how that could be me. “we could be that mistake!!” enjoy.

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