Posts tagged with silversun pickups

Last weekend was exhausting, but for all good reasons. After hitting up the RJD2 show at the Magic Stick on Friday night, we were headed to the exact opposite, the gigantic Muse arena specatacle at the Palace of Auburn Hills. I’m not a big fan of giant arena shows just because I like the intimacy of a lot of the smaller shows that I go to, but I’m such a fan of Muse, with their combination of metal, rock and classical melodies, that I knew I had to go, and as expected they did not disappoint.

I was also really looking forward to seeing openers Silversun Pickups because I’m a fan of theirs as well, and they are one of those groups that I’ve had plenty of chances to see at festivals and whatnot, but it just has never worked out. We planned on arriving around 8 PM because for some reason I thought there were two opening acts. But when we got there, I realized that I was wrong and that sadly we already missed them. Blerg.

Silversun Pickups – Well Thought Out Twinkles

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We got there and took our spots on the floor about halfway through the crowd on the left side of the stage and were having a good time with the great music they were playing before the set began. There was some good music from Adam Freeland, The Presets and ending with a cool Animal Collective remix. Then the lights went down and the huge fabric covered towers on the stage lit up. They were illuminated to appear to be a large staircase with nondescript figures climbing and filling the staircase, then the top figure tumbled over, knocking down the rest like dominoes. As they fell, the fabric covering the towers fell as well, revealing the three band members each in their spot in the middle of each of the towers. Very dramatic, very Muse. Just what I came to see.

They opened up with the huge anthem “Uprising” and continued through the set that never really gave up on energy and tempo. I was really hoping they wouldn’t kill the mood with one of their slower tunes which, while great, are a bit of a letdown live when you are rockin out and want to continue to do so, and luckily they didn’t. The light show was pretty spectacular with the towers essentially becoming video screens that were constantly changing, always keeping things interesting. There was an abundance of green laser lights throughout the arena which amped up for a few songs, probably more than I’ve ever seen.

While the stage setup was a bit restricting in terms of the band moving around on stage, the band was lowered down to ground level a few times where they made good use of the stage. There was also a pretty cool musical interlude with bassist Christopher Wolstenholme and drummer Dominic Howard where they both took spots on the center drum tower which spun around and moved up and down as they played. And singer Matthew Bellamy was pretty on point all night too, sometimes allowing the audience to lead the vocals, but without overdoing it. The highlight may have been during the set closer “Plug In Baby” when a bunch of giant eyeball balloons descended upon the crowd full of confetti. But really, the whole show was a highlight. It reminded me how much I really dig Muse and that I can still love them even though they are one of the biggest bands on the planet right now. I think even though a lot of us are jaded and against big rock shows, it really can be good for the soul every now and then.

All in all, despite the less than ideal venue, I feel like that’s really the only type of venue where Muse can really be felt to the fullest. All of their music is so loud and powerful that it only seemed appropriate. There’s a rumor that they’re going to be playing a small show at SXSW this coming week, and I can’t even imagine how that’s going to work out. I hadn’t been to a show at the Palace since Red Hot Chili Peppers in 2006, so I’m glad that Muse was able to exceed my expectations yet again. It’s tough to have a bad time at a show with so much continuous energy, unless you’re a terrible person.

Here’s the full setlist:

Uprising
The Resistance
New Born
Supermassive Black Hole
MK Ultra
Interlude
Hysteria
Nishe
United States of Eurasia
Feeling Good
Helsinki Jam
Undisclosed Desires
Starlight
Time is Running Out
Unnatural Selection
Plug In Baby

Encore:
Exogenesis: Symphony, Part 1: Overture
Stockholm Syndrome
Knights of Cydonia

I couldn’t help but thinking the entire time what could have been if I were able to bring in the good camera, but hopefully these crappy camera pics can provide some sense of what was going on. And we make the best with what we’re given.

And now one of my favorite Muse songs, one that they sadly didn’t play last night but that I think sums them up pretty well.

Muse – Map of the Problematique

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tilly and the wall

one month in the books kids. as of today weve brought you exactly (actually a few more than) 30 totally awesome songs and plan on bringing you at least a few more over the coming days, weeks, years, centuries and millenia (right? not milleniums?). its sort of like making a mix tape every single week, except i dont have to worry about the songs fitting together in any sort of way. except if theres a theme week which there will be very very soon. then they will all fit together in some way. and that will be cohesive and good.

what is also exciting about today is that the lollapalooza schedule was released. im a bit disappointed in the schedule because out of the 6 headliners, i really only wanted to see two: kings of leon and depeche mode. and of course because i have no luck when it comes to festival scheduling, they are both playing at the same time on the first night. im definitely seeing depeche mode since i just saw kings of leon a few months back, but its still a little upsetting. other notable conflicts are fleet foxes vs crystal castles (crystal castles wins as i havent seen them), thievery corporation vs decemberists (likely gonna choose decemberists), lykke li vs tv on the radio, and silversun pickups vs mstrkrft vs band of horses. all in all not nearly as bad as bonnaroo conflicts.

today were going to bring you the quasi flamenco track “bad education” from nebraskan foot percussionists tilly and the wall. this was the first song id heard by them and instantly loved the foot stomping and clapping percussion and thought it fit well with the music of this song but i later found out that they dont even have a drummer and instead use tap dancer jamie pressnall for percussion. how cool is that? whats also interesting is that several of their members came from various conor oberst projects. and sorry bright eyes, but i think i like them just a little bit more. im kind of in love with the beat in this song and it would be sweet even if it was played on drums and not with metal bottomed shoes, but those make it even better.

tilly and the wall – bad education

Tilly and the Wall - Bottoms of Barrels - Bad Education buy this track on itunes
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